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The DAW Poll 07/08

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  • Registered Users Posts: 1,214 ✭✭✭ICN


    empirix wrote: »
    personally i disagree, i have heard a lot of good stuff done with Reason using no loops - "a guy called gerald", i use loops a lot now but i make em myself - nothing wrong with it in my book, i am still a long way off getting things right but anything can be done with these programs these days, its in the users hands - talent is the key.

    The prodigys last album was done using Reason 3, although it was muck in my book, it still shows what can be done if you know your stuff!

    Interview with L Howlett from Keyboardmag.

    "After his night sessions in his bedroom (Laptop & Reason), he’d bring the fresh tracks to the studio and say, “This is what I did last night. Bang! The tracks would explode out of the speakers.” Things had to be tweaked, but once he had the basic demo, he could export it to Pro Tools, then do overdubs with his analog gear and lay down vocals. As he progressed, Howlett found some of the sounds from the Reason soft synths less satisfactory. “I might have used the soft synths from Reason on the demo tracks, but I would never have used them on the finished track. They don’t have the warmth that the analog s**t’s got.”

    Even Liam Howlett has his doubts.. There is no denying that Reason / Live are great sketchpads.. However, you need to have have them feeding into something eventually.

    Luke Viberts Kerrier District album and last Wagon Christ LP were made totally on Reason. Have to say that I thought they were really bad at the time.

    When I found out that he did them only using Reason, I said to myself "Ahh haa.." He was great using the Atari - Reason just doesnt have the depth on its own.

    Luke still brings the tracks off to be mastered.. Obviously he isnt satisfied with the Mclass!!


  • Closed Accounts Posts: 1,723 ✭✭✭empirix


    yeah i somewhat agree there but i think the new synth Thor thats in Reason 4 kicks ass big time, it sounds great, Reason 4 has taken a big leap with this synth, i wasn't very impressed with the Subtractor and Malstom synths in it before, i actually nearly have a few tracks finished using the Thor synth, i'll post em up soon, just to give an idea of its power

    Actuyally started to use Renoise, its a tracker production program, liking it so far but is a bit complicated, generating some nice sounds with it too, check it out, only costs $50 - its kinda an open source thing, pretty cool


  • Closed Accounts Posts: 15 Saccadianjay


    Pro-tools LE 6.4 all the way baby!


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    software: cubase sx3
    hardware: akai mpc4000


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    also, sorry to be anal, but reason's not really a daw is it


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  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    Helix wrote: »

    Luke still brings the tracks off to be mastered.. Obviously he isnt satisfied with the Mclass!!

    nobody should master their own stuff anyway


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    womoma wrote: »
    Tell that to the countless producers who have dance/house tracks produced wholly in Live, flying off the digital shelves on Beatport.

    but ableton is an absolute dog compared to logic or cubase for midi based stuff

    yes you can get results, but you can get results in notepad too

    the thing is, why put yourself through hardships having to do tonnes more work just to get things sounding acceptable. its a waste of creative time

    the likes of ableton and reason are grand when theyre rewired, but when theyre not they can be a bit touch and go unless youre an extremely set in your ways power user, and even then you have issues


  • Closed Accounts Posts: 1,723 ✭✭✭empirix


    Helix wrote: »
    but ableton is an absolute dog compared to logic or cubase for midi based stuff

    yes you can get results, but you can get results in notepad too

    the thing is, why put yourself through hardships having to do tonnes more work just to get things sounding acceptable. its a waste of creative time

    the likes of ableton and reason are grand when theyre rewired, but when theyre not they can be a bit touch and go unless youre an extremely set in your ways power user, and even then you have issues

    Guess i am anal :D

    Software: Reason 4, Renoise(only getting to grips with this baby, but impressed)

    Audacity, Recycle

    Thats everything i use - am i a loser, tried Ableton but didn't like it at all, are Logic and Cubase really that good! Personally i am considering going with Renoise in the long run if i don't get the sounds i'm after in reason.


  • Closed Accounts Posts: 2,579 ✭✭✭jimi_t


    Helix wrote: »
    but ableton is an absolute dog compared to logic or cubase for midi based stuff

    Why so?

    I'm using the stepsequencer from an Electribe ER-1 to program my drums using Impulse, recording takes doing my group mutes in realtime. My Tascam US-428 is used as my control surface, while ableton sequences outboard gear and routes it back in through the Tascam. Minimal hassle, minimal latency (and minimal techno :D).

    Granted, criticism about the mixing capabilities of Ableton are valid, I find no problem with the MIDI integration.


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    jimi_t wrote: »
    Why so?

    its just horrible

    now thats me coming from years of cubase, but its just nowhere near as flexible and doesnt me offer what i need anywhere near as immediately as it should, therefore is a workflow drain

    making software like ableton simple and user friendly is great, but it buries any of the more advanced stuff miles away in the background


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  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    empirix wrote: »
    Guess i am anal :D

    Software: Reason 4, Renoise(only getting to grips with this baby, but impressed)

    Audacity, Recycle

    Thats everything i use - am i a loser, tried Ableton but didn't like it at all, are Logic and Cubase really that good! Personally i am considering going with Renoise in the long run if i don't get the sounds i'm after in reason.

    logic and cubase are professional tools, reason is to an extent, but really only rewired so you can lose the reason sound

    now granted theyve done great work with the audio engine in the last 2 versions, but its still a bit... well... reason sounding


  • Registered Users Posts: 815 ✭✭✭Moojuice


    Pro-Tools Mpowered (Project Mix) is my main program. I also use reason 4 for a few things and abelton lite (the time stretch function is its best feature). You can get some good sounds out of both and I have a few really good refills. But whatever I use I ALWAYS bring it into Pro-tools to mix, master and edit as the Pro-tools audio engine kicks the ass off anything else out there. I have also moved up to 24bit 96Khz as my basic recording bit rate and sample rate. But yeah PRO-TOOLS all the way!!!! I will be getting a mac soon so I might look into Logic though the last time I used it I found it horrible to use.


  • Registered Users Posts: 5,290 ✭✭✭Ardent


    Cubase SX 3. Yer only man.


  • Closed Accounts Posts: 1,723 ✭✭✭empirix


    Cubase any good for DnB production - fresh sounds?


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    no sounds in cubase

    thats what vsts are for


  • Closed Accounts Posts: 975 ✭✭✭squibs


    Cubase any good for DnB production - fresh sounds?

    I think at this stage most DAWs can do any style well. The clunkiest of them is probably FL Studio as it uses a kooky interface, but there are still people using it as their primary choice of DAW for orchestral scoring.

    edit: How come FL Studio isn't listed in the poll?


  • Registered Users Posts: 7,418 ✭✭✭JimiTime


    Pro-Tools LE


  • Registered Users Posts: 1,214 ✭✭✭ICN


    squibs wrote: »
    edit: How come FL Studio isn't listed in the poll?


    Why should it be listed in the poll?

    FL is something which people begin on.. Its just a phase, or right of passage!!!

    :)


  • Registered Users Posts: 6,790 ✭✭✭cornbb


    ICN wrote: »
    Why should it be listed in the poll?

    FL is something which people begin on.. Its just a phase, or right of passage!!!

    :)

    Not necessarily, I know a guy who's been making lots of great tunes with FL as his main DAW software, teamed with some good VSTs and unusual stuff like Csound. Haven't used it myself but he swears by it as a cheap and functional solution.

    AFAIK it wasn't included in the poll as the maximum number of options is already taken and it didn't make the cut :)

    Woohoo, I see Cubase has overtaken Pro Tools :D


  • Registered Users Posts: 3,849 ✭✭✭condra


    There werent enough options, but yeah it probably should have been there instead of MOTU DP, which doesnt seem to be popular here in Oirelind.


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  • Closed Accounts Posts: 975 ✭✭✭squibs


    Why should it be listed in the poll?

    FL is something which people begin on.. Its just a phase, or right of passage!!!

    I don't think I've ever said this on a discussion forum anywhere before:

    You are wrong.

    I'll wager I've been using software sequencers/DAWs longer than you. I even wrote one for a Z80 powered Sharp home computer. I still use FL Studio for the parts Sonar can't reach. I often use it as a VSTi within Sonar. Try that in your Cube Tools!

    Most people who dismiss it have often either never used it or played with a pirated copy and not given it the time they would have invested if they had paid for it.

    cornbb/womoma - I'm actually surprised my baby (Sonar) made it into the polls. Historically the yanks used Sonar and the Europeans used Cubase. Wonder if that's changing?


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    out of curiosity, what can fruity do that sonar cant?


  • Closed Accounts Posts: 975 ✭✭✭squibs


    For a start, it can load as a VSTi in other DAWs

    Off the top of my head - and I'm probably missing the big stuff:

    The piano roll support for chords, splitting, strumming, arpeggiation, and lots more. Although I don't like the FL piano roll, it gives better options for midi mangling.

    The native plugins Edison ( a wave editor in an effexts slot ), equo, love philter, flangus, vocoder (in conjunction with speech synth ir really rocks)

    The formula controller - bye bye lfos!

    I know that some of the above can be bolted on as fx or VSTis but you'll need to go payware for stuff of similar quality. And I'm not aware of anything like EQUO or Love Philter on the market.


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    jesus, sonar sounds pretty limited


  • Closed Accounts Posts: 975 ✭✭✭squibs


    It's not - feature spec is about equivalent with cubase. Cakewalk wouldn't survive otherwise.

    It seems to me that you are just trolling. You've come in and said what you used without coherently explaining what makes it better. You've then p***ed on ableton, reason and sonar with justifications like "its just horrible".

    I'm done with this thread. Thanks.


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    i use reason and ableton, i pissed on neither. theyre both great tools at what they do well, but poor at what they dont do well so are very limited as stand alone systems

    the fact that sonar cant do the things you mentioned would have it down as pretty limited in my books

    no arp? no chords on piano roll?

    wtf like?

    im not trolling or anything like it, why would anyone troll about bloody DAWs ffs


  • Closed Accounts Posts: 1,723 ✭✭✭empirix


    Helix out of curiosity :D are you using Reason 4, theres a patch that james Bernard has made for production purposes, its available on the website for free - "Multiband toolbox, check it out


  • Registered Users Posts: 3,849 ✭✭✭condra


    I included Sonar because the amount of Sonar cracks out there are only rivalled by the likes of Photoshop. Thought it would be more popular though.

    CornB, Feel free to replace MOTU with FL studio, but I still doubt either will be represented by more than a couple of people.

    So far, Im surprised that Live and Reason are not more popular, but then again, this is not a dance music recording forum.

    Regardless, the point of the poll, for me at least, was just to see a representation of what is used, rather than to dispute which software is better.

    I thought by now most people would agree that we've living in an age of super-computers and very powerfull audio software, and it is best to use the software which suits your style, workflow, budget etc.


  • Registered Users Posts: 6,790 ✭✭✭cornbb


    womoma wrote: »
    CornB, Feel free to replace MOTU with FL studio, but I still doubt either will be represented by more than a couple of people.

    There's not much point in replacing anything, we would need 50 poll options to cover everything out there. energyXT, Adobe Audition, Garageband, Ardour, Traktion, Reaper and Rosegarden are a few more that didn't make the cut. Plus I doubt anyone here uses only one DAW for everything they do.
    So far, Im surprised that Live and Reason are not more popular, but then again, this is not a dance music recording forum.

    True, I imagine they'd dominate a similar poll in the Electronic & DJing forum.
    Regardless, the point of the poll, for me at least, was just to see a representation of what is used, rather than to dispute which software is better.

    I thought by now most people would agree that we've living in an age of super-computers and very powerfull audio software, and it is best to use the software which suits your style, workflow, budget etc.

    Discussions of DAW preferences always seem to get a bit passionate here for some reason! Its interesting to see what people are into anyway.


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  • Registered Users Posts: 1,214 ✭✭✭ICN


    squibs wrote: »
    I don't think I've ever said this on a discussion forum anywhere before:

    You are wrong.

    I'll wager I've been using software sequencers/DAWs longer than you.

    I even wrote one for a Z80 powered Sharp home computer. (ZZZZZZzzzzz..... Yawn!!)

    I still use FL Studio for the parts Sonar can't reach. I often use it as a VSTi within Sonar. Try that in your Cube Tools!

    Most people who dismiss it have often either never used it or played with a pirated copy and not given it the time they would have invested if they had paid for it.

    cornbb/womoma - I'm actually surprised my baby (Sonar) made it into the polls. Historically the yanks used Sonar and the Europeans used Cubase. Wonder if that's changing?

    We'll agree to disagree Squid - We're right & you're wrong.

    I will have you know that I have been using sequencers since the year Nineteen hundred and forty three.

    I was based in Bletchley Park in Great Britain (during WWII..), where along with a team of Boffins - I was involved in the construction of a top secret super-sequencer, which was hooked up to a Nazi Enigma machine to make what you young 'un's would now call "tunes".

    ... or am I just a waffler?

    I'm done with this thread.. Oh no!


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