Opera in Ireland - general discussion thread on all things opera in Ireland

westtip

These cinema offerings are a great way of staying in touch with what's happening in the international houses, and do offer some value for money - although I think the Met ones at €25 are a bit on the pricey side for what is essentially a night in the cinema. The better ones I have seen have been the encores and replays - when you don't have to suffer the theatre length intervals plus any technical glitches you get in the "live" broadcasts are ironed out. Its not "live" for us like a football match, and it really makes no difference if you watch it as a broadcast or replay, you are not actually in the theatre! And I don't feel the sense of being at a live event when sitting in a cinema in Castlebar or Sligo. It is a good way of seeing the repertoire and in this opera starved country is at least an easy night out. It's welcome but does not substitute for reality. The Met Ring Cycle though seemed to be made for this medium it was a great cinematic and musical experience, but did not surpass the feeling of complete bone chilling you get in a theatre with Wagners music attacking your nervous system and every emotional charge in the body. Bliss.

marienbad

I have gone to 95% of the cinema broadcast since the start and I think they are just fantastic. I agree that the MET at 25 euro is a bit steep , particularly now that ROH are available at the Odeon at 12 euro.

Great that ENO are coming in on the act , I was going to pop over for Peter Grimes but this will save me the trip. I might use the dosh to go to Birmingham and see Moses und Aron .

On the attendance - I was at Rusalka last Saturday in Limerick and it was an appalling night but I was stunned at the attendance , at least 150 at it. At 25 euro a pop that is not a bad return . I brought my grandson to the Jack Ryan thriller earlier in the week at 6pm and that had only 20 or so people.

Most of us know each other on sight at this stage and a sort of community is building up . Long may it last.

Has anyone gone to the Berlin Phil broadcasts or the National Theatre broadcasts ?

Sandwlch

I still havent been but La Cenerentola attracts very much, so make break my duck then.

Still trying to support local live opera, though thats becoming easier and easier - there's almost nothing on at all anymore. A 'Thread Closed - RIP Opera in Ireland' notice on this one wouldnt look out of place sadly.

Even the toe-in-the-water tests by overseas visitors seems to have come to a halt. Just not the local critical mass to justify their expenses I suppose. Maddening to thing that opera on this island is in a worse state (if its even in a state at all) than before any of us had even heard the phrase celtic tiger.

Nevertheless, light maybe being kept alive by our cousins in the north, BGOH has NI Opera Macbeth next weekend. And Scottish Opera makes the trip there in June, but unfortunately its with Butterfly.

marienbad

Sandwlch wrote: »

I still havent been but La Cenerentola attracts very much, so make break my duck then.

Still trying to support local live opera, though thats becoming easier and easier - there's almost nothing on at all anymore. A 'Thread Closed - RIP Opera in Ireland' notice on this one wouldnt look out of place sadly.

Even the toe-in-the-water tests by overseas visitors seems to have come to a halt. Just not the local critical mass to justify their expenses I suppose. Maddening to thing that opera on this island is in a worse state (if its even in a state at all) than before any of us had even heard the phrase celtic tiger.

Nevertheless, light maybe being kept alive by our cousins in the north, BGOH has NI Opera Macbeth next weekend. And Scottish Opera makes the trip there in June, but unfortunately its with Butterfly.

Yeah,I saw that. looks like travel and/or the cinema for anything even slightly off the beaten track

westtip

happened to be in London last Thursday so popped along to ENO at the Coliseum to see what was one of the worst operatic productions I can ever remember. Keep clear of the Rigoletto there, it is simply dreadful!

marienbad

westtip wrote: »

happened to be in London last Thursday so popped along to ENO at the Coliseum to see what was one of the worst operatic productions I can ever remember. Keep clear of the Rigoletto there, it is simply dreadful!

Why did you not go to the Peter Grimes production ? I went to it in the cinema on Sunday and it was simply outstanding and only 10 euro !

banjobongo

Ellen Kent is bring La Boheme to the concert hall in UL in Limerick soon, has anybody else been to this production or heard anything about it?

Sandwlch

banjobongo wrote: »

Ellen Kent is bring La Boheme to the concert hall in UL in Limerick soon, has anybody else been to this production or heard anything about it?

Ellen Kent are a sort of West End musical troupe 'does opera'. Gimmicky and low standard of music.



Macbeth from NI Opera was disappointing last weekend. Very amateur with little to recommend it (orchestra played well). First act of Macbeth leaves me a bit cold anyway but even the superior music after that didnt improve matters. Step backwards rather than any progress from their Dutchman a year or two ago. Some variety of co production with Welsh National Opera - it will need sharpening up somehow before it gets there.

westtip

marienbad wrote: »

Why did you not go to the Peter Grimes production ? I went to it in the cinema on Sunday and it was simply outstanding and only 10 euro !

Would have loved too..... commitments to children prevailed!:mad::) bit of both!

I just love that opera, saw it again earlier this year in Nottingham for the fabulous Opera north production.

don't ask about Rigoletto - the reviews panned it but not enough, it was simply desperate take my word for it!

marienbad

westtip wrote: »

Would have loved too..... commitments to children prevailed!:mad::) bit of both!

I just love that opera, saw it again earlier this year in Nottingham for the fabulous Opera north production.

don't ask about Rigoletto - the reviews panned it but not enough, it was simply desperate take my word for it!

Great to see ENO joining the cinema broadcasts , next up from them Benvenuto Cellini by Berlioz in June. Thous as a great Berlioz fan I might pop over for a live performance.

wexoperafan

Thanks for the heads up about Rigoletto. Am booked to see it on Mar 12th !! Might see if I can get rid of the ticket.

Wex

westtip

wexoperafan wrote: »

Thanks for the heads up about Rigoletto. Am booked to see it on Mar 12th !! Might see if I can get rid of the ticket.

Wex

http://www.theguardian.com/music/2014/feb/12/verdi-rigoletto-christopher-alden-english-national-opera

http://www.telegraph.co.uk/culture/music/opera/10639529/Rigoletto-English-National-Opera-review.html

http://www.express.co.uk/entertainment/theatre/459834/Rigoletto-at-the-English-National-Opera-review

pretty tardy reveiws, some trying to make excuses for what is simply an ill conceived poor production. Putting it simply the ideas the director has come up with simply don't work, and when you are sitting in the opera house and every musical highlight most of us know in detail is intruded upon by some ridiculous notion of the director - you can simply come to the conclusion, the director has lost the plot. In the case of this Rigoletto I don't think the Director even read the plot. It is simply ridiculous I would never go and see it again - and believe me I have gone back to see several productions several times of different operas simply because I love the productions. This production simply has nothing to offer to lure me back into the theatre to see it again! Don't waste you money on it not even to be inquisitive.

nompere

Fiona Maddocks in the Observer quite liked it:

http://www.theguardian.com/music/2014/feb/16/rigoletto-eno-christopher-alden-review

She wrote after John Crace, who did his piece while it was still in rehearsal. The comments are no worse than mixed as well.

And as one writer said, you can always just sit back, close your eyes, and listen There seems to be general agreement that it sounds excellent.

westtip

nompere wrote: »

Fiona Maddocks in the Observer quite liked it:

http://www.theguardian.com/music/2014/feb/16/rigoletto-eno-christopher-alden-review

She wrote after John Crace, who did his piece while it was still in rehearsal. The comments are no worse than mixed as well.

And as one writer said, you can always just sit back, close your eyes, and listen There seems to be general agreement that it sounds excellent.

fair comment, the point is if you go - take the trouble to speak to folks in the bars and public areas in the interval. I found the whole thing quite absurd, yes the performances were good by the singers, who I began to feel sorry for. On the whole though it is very poorly conceived production. Don't get me wrong I am not a traditional staging diehard, but the director in this production simply did lose the plot. In my view it is the worst production of Rigoletto I have ever seen - and since I was about 16 years old when I first saw the opera - that is about 40 different productions of Rigoletto around the world, some good, some bad, some indifferent but this production did nothing for me in regard to revealing the deep inner meaning of Rigoletto. That's my view and I am sticking with it!!! One thing is for sure - I don't think we will see a revival of it!!

Sandwlch

nompere wrote: »

Fiona Maddocks in the Observer quite liked it:

http://www.theguardian.com/music/2014/feb/16/rigoletto-eno-christopher-alden-review

She wrote after John Crace, who did his piece while it was still in rehearsal. The comments are no worse than mixed as well.

And as one writer said, you can always just sit back, close your eyes, and listen There seems to be general agreement that it sounds excellent.

In my inbox from ENO this evening. Must be really struggling to get anyone to come and see it :

ENO's 'compelling' (Evening Standard) new production is rich in period detail with sumptuous costumes. We are offering you the chance to book two tickets for the price of one with this special offer.
RIGOLETTO TWO-FOR-ONE OFFER*
Five performances remaining: 5, 7, 10, 12 & 14 March



Regular mail from Wexford opera with their brochure last week. Anyone any knowledge on the offerings ? The last couple of years choices are leaving me a bit cold. This one isnt much better.

westtip

Sandwlch wrote: »

In my inbox from ENO this evening. Must be really struggling to get anyone to come and see it :
[/B]

.

The word is out, friends of mine and anyone I know in operatic circles in the UK seem to think this production will be consigned to the bin after this run. It has been a bit of an own goal for ENO.

If the Miller Rigoletto was Champions league, this one is Sunday league.

And at the end of the day I think its doomed to relegation.

Opera/Football - two best things in life!

marienbad

westtip wrote: »

The word is out, friends of mine and anyone I know in operatic circles in the UK seem to think this production will be consigned to the bin after this run. It has been a bit of an own goal for ENO.

If the Miller Rigoletto was Champions league, this one is Sunday league.

And at the end of the day I think its doomed to relegation.

Opera/Football - two best things in life!

throw in Munster Rugby as well there westtip !

westtip

marienbad wrote: »

throw in Munster Rugby as well there westtip !

MB in truth any sport for me. As long as it involves teams and a ball!

Portlaoise Pictures

I've logged in but can't start a new thread here. Do I need permission?

westtip

Portlaoise Pictures wrote: »

I've logged in but can't start a new thread here. Do I need permission?

you should be able to start a thread in music/classical, just go to that section and click on New Thread
http://www.boards.ie/vbulletin/forumdisplay.php?f=395

marienbad

Wexford tickets go on sale at the end of this month to the general public, a lot earlier than usual and with a new pricing structure involving some tickets as low as 25 euro I believe.

They must be feeling the pinch .

westtip

Saw Fille du Regiment at ROH with Juan Diego Florez last night.

OMG. Wow. These kind of singers come along a couple of times in your life singing at their peak of their careers.

Can't say much more. Still in a state of shell shock. Simply fabulous!!!!:)

marienbad

westtip wrote: »

Saw Fille du Regiment at ROH with Juan Diego Florez last night.

OMG. Wow. These kind of singers come along a couple of times in your life singing at their peak of their careers.

Can't say much more. Still in a state of shell shock. Simply fabulous!!!!:)

I saw it with him and Dessay a few years back at ROH and it is one of, if not the highlight of my opera going life .

westtip

marienbad wrote: »

I saw it with him and Dessay a few years back at ROH and it is one of, if not the highlight of my opera going life .

MB his second act aria also bought the house down, he held onto the last note of that aria with a degree of perfection that was simply magical! but that Mes Amis will live forever in my mind. I couldn't get tickets five years ago. I have been to the ROH many times and have been lucky enough to have heard the greats of our generation at the peak of their careers there, I truly do believe Juan Diego is going to join those greats. I am not into the comparing voices game - and the issue about him being the "new Pavorotti", was Pavorotti the new Stefano? No, Pavorotti, Domingo, Stefano were all themselves. Florez truly is amazing - he is only 41 - he won't be singing Tonio in probably five years time, it truly is a role for a young tenor at his peak, I don't think Pavorotti sang it as role much past the age of 45 (1980), yet he was known as the King of the High C's because of what he achieved in that one aria so I really wanted to hear florez do it now. He has such an amazing career ahead of him. When you hear voices like this - you know 30 years later you will be looking back - and thinking - I heard him at his very best. It truly was a privilege to be in the ROH last night. Like you it goes down as one of the top five highlights of many many nights in opera houses over the course of the last thirty years. Memorable!!! I'm still dizzy!

marienbad

westtip wrote: »

MB his second act aria also bought the house down, he held onto the last note of that aria with a degree of perfection that was simply magical! but that Mes Amis will live forever in my mind. I couldn't get tickets five years ago. I have been to the ROH many times and have been lucky enough to have heard the greats of our generation at the peak of their careers there, I truly do believe Juan Diego is going to join those greats. I am not into the comparing voices game - and the issue about him being the "new Pavorotti", was Pavorotti the new Stefano? No, Pavorotti, Domingo, Stefano were all themselves. Florez truly is amazing - he is only 41 - he won't be singing Tonio in probably five years time, it truly is a role for a young tenor at his peak, I don't think Pavorotti sang it as role much past the age of 45 (1980), yet he was known as the King of the High C's because of what he achieved in that one aria so I really wanted to hear florez do it now. He has such an amazing career ahead of him. When you hear voices like this - you know 30 years later you will be looking back - and thinking - I heard him at his very best. It truly was a privilege to be in the ROH last night. Like you it goes down as one of the top five highlights of many many nights in opera houses over the course of the last thirty years. Memorable!!! I'm still dizzy!

My God was it five years ago already !! I got just one ticket by chance and I knew the opera gods were smiling on me .

Great night ,great opera, great cast and I agree with you - we should not compare .Just be grateful we have had all these magnificent artists in our lifetime .

And to think it is not that long ago the Florez was in the Wexford festival with Jurowski conducting, how time flies.

garancafan

westtip wrote: »

Saw Fille du Regiment at ROH with Juan Diego Florez last night.

OMG. Wow. These kind of singers come along a couple of times in your life singing at their peak of their careers.

Can't say much more. Still in a state of shell shock. Simply fabulous!!!!:)

It is truly heart-warming that, given your long association with the genre, you can enthuse so effusively about a current performer. By the way, how was Ms Ciofi? - and indeed Ms te Kanawa?

westtip

garancafan wrote: »

It is truly heart-warming that, given your long association with the genre, you can enthuse so effusively about a current performer. By the way, how was Ms Ciofi? - and indeed Ms te Kanawa?

Thanks, the day I stop enthusing about brilliance and genius is the day they nail down the lid. Ms Ciofi was charming in the role, she is a lovely soprano well able to grace the stage of the ROH, there are lots of good sopranos out there so maybe my raving about Juan Diego is unfair on her, the Guardian reported she had a viral infection and there were some indications of slight strain in her voice, she played the tom-boy role beautifully, her second act aria was a delight and the whole choreography of her relationship with "her" regiment was simply wonderful to watch being played out. This is such a lovely delightful production, but she is good, mark my words.

Re Dame Kiri, and being fortunate enough to see her play the pantomine dame role on her birthday. She sang the little ditty they slipped in for her from Puccinis Edgar very nicely, for a 70 year old, she got a great ovation and they held a stage managed birthday celebration for her at the end with a drop down screen and various messages from celebs. For me the most notable of which was Placido who referred to the wonderful Manon Lescaut they did together I was privileged to see back in the 1980s, I also remember him as Cavaradossi opposite her Tosca in or around 1980 so for me it was pure nostalgia. I heard the dame sing many times in her prime, this was a fond farewell to say thank you Kiri.

But lets look to the future and in ten years time hearing Florez as a great Otello. I am wittering on here, believe me - it was a memorable evening last Thursday. Memorable.

wexoperafan

westtip wrote: »

Saw Fille du Regiment at ROH with Juan Diego Florez last night.

OMG. Wow. These kind of singers come along a couple of times in your life singing at their peak of their careers.

Can't say much more. Still in a state of shell shock. Simply fabulous!!!!:)

Am delighted to read this comment. Off to London tomorrow, and I have a ticket for the Wednesday matinee performance of La Fille du Regiment with Florez. Was looking forward to it. Now I am at the can't get there soon enough stage

Still have the ticket for Rigoletto on Wednesday night at ENO. Looks like it could be the case that Wednesday will go from the sublime to the ridiculous ?

Wex

westtip

wexoperafan wrote: »

Am delighted to read this comment. Off to London tomorrow, and I have a ticket for the Wednesday matinee performance of La Fille du Regiment with Florez. Was looking forward to it. Now I am at the can't get there soon enough stage

Still have the ticket for Rigoletto on Wednesday night at ENO. Looks like it could be the case that Wednesday will go from the sublime to the ridiculous ?

Wex

don't spoil your day, live on the high c's have a few drinks in celebration and give the Rigoletto ticket away is my recommendation. Strange day for a matinee, Wednesday!

westtip

wexoperafan wrote: »

Am delighted to read this comment. Off to London tomorrow, and I have a ticket for the Wednesday matinee performance of La Fille du Regiment with Florez. Was looking forward to it. Now I am at the can't get there soon enough stage

Still have the ticket for Rigoletto on Wednesday night at ENO. Looks like it could be the case that Wednesday will go from the sublime to the ridiculous ?

Wex

Wex how was Rigoletto for you? More to the point how was JDF in La Fille.

wexoperafan

westtip wrote: »

Wex how was Rigoletto for you? More to the point how was JDF in La Fille.

Hi Westtip

Sorry for taking so long to reply. Was away from Tuesday for work - interferring with my opera activities yet again !!

JDF was superb as expected. Heard him in Pesaro in 2012 and 2013 and thought that there was a slight edge / sharpness coming into the voice, but at Fille I could not find any fault. Have to be totally honest and say that I was not impressed with Ciofi. She sounded very breathy and the top notes were very effortful. The rest of the cast - even Kiri were excellent. Overall an enjoyable way to pass a Wednesday afternoon.

Rigoletto was well sung and there were very committed performances from all the cast. I have no clue as to what Alden was doing on stage, but managed to disconnect the visual from the aural and enjoyed the music. The 2 glasses of wine I had beforehand may have assisted with that !

Highlight of the trip was the performance of Die Frau ohne Schatten at CG on Friday 14th. Again the production was a bit odd – but the opera itself could be called that – but the singing and orchestra were magnificent.

The Dyer’s Wife was Elena Pankratova was absolutely class as was the Dyer , Johan Reuter. Their scene together at the beginning of Act 3 will stay in my memory for a long time.

Wex

westtip

wexoperafan wrote: »

Hi Westtip

Sorry for taking so long to reply. Was away from Tuesday for work - interferring with my opera activities yet again !!

JDF was superb as expected. Heard him in Pesaro in 2012 and 2013 and thought that there was a slight edge / sharpness coming into the voice, but at Fille I could not find any fault. Have to be totally honest and say that I was not impressed with Ciofi. She sounded very breathy and the top notes were very effortful. The rest of the cast - even Kiri were excellent. Overall an enjoyable way to pass a Wednesday afternoon.

Rigoletto was well sung and there were very committed performances from all the cast. I have no clue as to what Alden was doing on stage, but managed to disconnect the visual from the aural and enjoyed the music. The 2 glasses of wine I had beforehand may have assisted with that !

Highlight of the trip was the performance of Die Frau ohne Schatten at CG on Friday 14th. Again the production was a bit odd – but the opera itself could be called that – but the singing and orchestra were magnificent.

The Dyer’s Wife was Elena Pankratova was absolutely class as was the Dyer , Johan Reuter. Their scene together at the beginning of Act 3 will stay in my memory for a long time.

Wex

I'd need a bottle of wine before I could see that Rigoletto again and try to make any sense of it - bizarre wasn't it.

Agree to a point about Ciofi. but JDF is something else. Great to hear about Die Frau. Intend seeing it in early April.

westtip

Did anyone see boheme from the Met tonight. Dreadful sound quality in Sligo - any problems in other venues. The sound on the first three acts was simply dreadful in sligo - I asked and got a refund it was so bad.

marienbad

westtip wrote: »

Did anyone see boheme from the Met tonight. Dreadful sound quality in Sligo - any problems in other venues. The sound on the first three acts was simply dreadful in sligo - I asked and got a refund it was so bad.

Yes I saw it in Limerick , sound seemed ok to me . Although I thought Rodolfo was a bit ill at ease in the lower register, but I put that down to the singer rather than the sound system.

garancafan

Didn't see, but caught Act IV on Lyric FM - sound fine.

westtip

marienbad wrote: »

Yes I saw it in Limerick , sound seemed ok to me . Although I thought Rodolfo was a bit ill at ease in the lower register, but I put that down to the singer rather than the sound system.

You would have noticed it. I was close to walking out, but had someone with me, as were several others in sligo, there was a hissing sound on the speakers,almost like when you are slightly out of tune on FM radio, it was a bit like listening to a scratchy LP on an old box mono record player, speakers vibrating type noise and cackle and hiss interference, the first two acts were "unlisteneable " (is there such word!), the third act despite complaints was even worse simply dreadful, by time the fourth act came around they had sorted some technical issues and it was at best acceptable. I think it was a local issue but just want to get some feedback from others who saw it in other venues. Anyway give them their due - they refunded the full €48 to my credit card! If you don't ask you don't get!

I thought these broadcasts were a good idea and still supportive but the MET ones at €24 are expensive for what is a night in the cinema, (the opera in cinema distributor which does the ROH and other houses only charge €15) I have experienced a few technical problems not just in sligo but other venues as well, this is not acceptable as you are paying for technical excellence by the broadcaster and cinema to provide a near theatre experience. People go on about the "live" experience, well you have to suffer the theatre length intervals, and watching a few roadies move scenery is interesting the first time but loses its appeal, and its not as if you are in the foyer of the Met sipping a glass of wine and people watching. Actually the best technical experience has been on "non live" cinema broadcasts, any technical glitches are sorted it is still a live performance and most operas are about the length of a feature length film. In terms of technical and near theatre experience the best I have had today was in the EYE cinema in Galway, the sound was fantastic - good and loud - whilst I am having a go at sligo - too much sound coming in from other parts of the multiplex....Ah well next time I am going to try Castlebar Linnenhall venue.

wexoperafan

Just a brief note to say that Wexford Festival Opera won the award for Best Re-discovered work at The International Opera Awards in London on Monday night for last seasons Cristina regina di Svezia.


Wex

garancafan

wexoperafan wrote: »

Just a brief note to say that Wexford Festival Opera won the award for Best Re-discovered work at The International Opera Awards in London on Monday night for last seasons Cristina regina di Svezia.


Wex

Thanks Wex. Great news. Would you believe I had tickets but was unable to attend!!

Any news of principals for this year?

wexoperafan

garancafan wrote: »

Thanks Wex. Great news. Would you believe I had tickets but was unable to attend!!

Any news of principals for this year?

Pity that you missed it. It was good show.

No news about this years singers - not even rumours !
Will keep an ear to the ground and will post when I have concrete info.

Wex

wexoperafan

wexoperafan wrote: »

Pity that you missed it. It was good show.

No news about this years singers - not even rumours !
Will keep an ear to the ground and will post when I have concrete info.

Wex

Chelsea Opera Group have announced that they will give a concert performance of Cristina regina di Svezia by Foroni at Cadogan Hall on November 8th.

Helena Dix who sang the title role, and Andrew Greenwood who conducted the opera in Wexford last will reprise their roles.

Wex

The Green Pixie

Is anybody going to anything in Wexford this year?
The only one I'd be interested in is Salome, but I didn't realize the priority booking opened on March 1st instead of the usual first week in May so there are hardly any tickets left.

marienbad

The Green Pixie wrote: »

Is anybody going to anything in Wexford this year?
The only one I'd be interested in is Salome, but I didn't realize the priority booking opened on March 1st instead of the usual first week in May so there are hardly any tickets left.

I am all booked and ready to go ,I even have all the cds bought to familiarise myself with the music .

The Green Pixie

Does Salome look as though it's going to be worth hearing/seeing?

marienbad

The Green Pixie wrote: »

Does Salome look as though it's going to be worth hearing/seeing?

Would you believe I haven't even listened to any of them yet, I am too busy working my way through La Cenerentola, Moses und Aron , Le Chute de la Maison Usher etc , all of which I will be going to before Wexford .

Life is indeed difficult

The Green Pixie

I've just booked a ticket for Salome on October 25th,
Row D, seat 9 in the circle.
I've only ever sat in the stalls in the new theatre in Wexford.
But it's not a bit theatre so I'm sure it will be fine.
Has anybody sat up there before?

marienbad

The Green Pixie wrote: »

I've just booked a ticket for Salome on October 25th,
Row D, seat 9 in the circle.
I've only ever sat in the stalls in the new theatre in Wexford.
But it's not a bit theatre so I'm sure it will be fine.
Has anybody sat up there before?

Yeah, I have been sitting everywhere , no problems in the circle . Very good seats actually.

The Green Pixie

I love the new theatre in Wexford.
I've heard opera in more places than I care to remember, but I've never been anywhere where the voices fly over the orchestra like they do in Wexford. Quite stunning.

marienbad

The Green Pixie wrote: »

I love the new theatre in Wexford.
I've heard opera in more places than I care to remember, but I've never been anywhere where the voices fly over the orchestra like they do in Wexford. Quite stunning.

Indeed , they have done a great job with the renovation . But it is the least we can expect with the prices they are charging !

The Green Pixie

marienbad wrote: »

,I even have all the cds bought to familiarise myself with the music .

I never prepare for the operas in Wexford. I prefer to savour the idea of going to an opera I know absolutely nothing about (very rare when most opera houses seem to rotate between La Boheme and La Traviata).

marienbad

The Green Pixie wrote: »

I never prepare for the operas in Wexford. I prefer to savour the idea of going to an opera I know absolutely nothing about (very rare when most opera houses seem to rotate between La Boheme and La Traviata).

I like that also , but I enjoy them much more when I know the music . I won't bother with the libretto just have an idea of the score .