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How much is too much? (Fajitas welcome)

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  • Registered Users, Registered Users 2 Posts: 5,146 ✭✭✭Morrisseeee


    Pretty much everything of mine i shoot digitally has the same preset applied in lightroom, which changes the colour temperature, exposure, contrast, saturation, clarity, and adds a very subtle split toning (no, colourisation. No, hang on, split tone. No, duotone...). They end up looking fairly different from what the shot looks like with all the settings at 0
    I guess thats what the OP is asking, have you stepped over the imaginary 'line' ? At this stage that line (and it does exist for me) is getting so blurred I'm seeing bokeh :p
    So which is 'purer'?
    Well, I'd say the original Polaroid, as it had its own qualities and produced its own results, and that can't be reproduced or faked (OMG Elven is a fake :eek::p).
    For me there's definitely a distinction between capturing that special 'moment' on a camera (film or sensor) and going into photoshop or otherwise and 'producing' an xxxxx. Both are works of art, and rightly so, and I use both, but to say both are a photograph very much undermines the skill of the photographer who used his camera and knowledge to get that 'prize winning' shot.


  • Closed Accounts Posts: 76 ✭✭mindundalk


    elven wrote: »
    As paul said, depends on the purpose, and what the client wants if it's commercial.

    If it's for your own fun, you have to make that decision for yourself, it's a purely personal thing. And over time, your ideas will probably change too.
    I couldn't agree more..... as time moves on so does your taste, i speak from personal experience as when i started i felt like you did but now i want to make things as best that they can be and the fashion world influences the things we do every day.


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