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The Knife composing the score to an opera

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  • 18-01-2010 1:25pm
    #1
    Registered Users Posts: 12,778 ✭✭✭✭


    They've followed in the footsteps of Damon Albarn and made the score to an opera based on the life of Charles Darwin. It's called Tomorrow in a Year.
    The world seen through the eyes of Charles Darwin forms the basis for the performance Tomorrow, in a year. Theatre production company Hotel Pro Forma’s striking visuals blend with pop-duo The Knife’s ground-breaking music to create a new species of electro-opera.

    An opera singer, a pop singer and an actor perform The Knife’s music and represent Darwin, time and nature on stage. Six dancers form the raw material of life. Together with the newest technology in light and sound, our image of the world as a place of incredible variation, similarity and unity is re-discovered.

    Concept
    The opera-genre provides the DNA, the framework of the performance. It calls for large scale, and it forms a space where form and expression dominate. The Swedish music group The Knife creates completely new compositions that challenge the conventional conception of opera music. The musical form is experimental and exploratory, and much of the sound heard was recorded while in the Amazon Jungle and in Iceland.

    It is written for three singers of different backgrounds: popular music, classical opera and the performing arts. They are the narrators and the main characters in the performance. The singers tell about Darwin and they observe time and nature as Darwin.

    Directed by Ralf Richardt Strøbech and Kirsten Dehlholm, the visual and conceptual universe is formed by Darwin’s thoughts, experiences and letters. The performance is divided into two parts – analogous to the development and publications of The Origin of Species.

    The first part of the performance is exploratory. It concentrates on observing the underlying sequences and relationships between image, narrative, movement and music used in the performance. The second part is a synthesis of the material. A completed image and totality emerge, before the performance again mutates and passes into new forms, as happens over time with all things.

    The opera presents an image of Darwin that above all reminds us that the world is a place of remarkable similarities and amazing diversity. That over time - tomorrow, in a year, or tomorrow, in a million years - change is inevitable.

    Time forms our lives, gives our existence meaning and populates the globe. Generations, eons and millions of years create the new and eradicate existences. Nature selects, invites and dares everything without limitation
    – Ralf Richardt Strøbech, co-director, Tomorrow, in a year
    http://www.hotelproforma.dk/side.asp?side=2&id=438&ver=uk



    This sounds class. I'd love to see it.


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