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IRMA fail to force UPC to block illegal downloads (Court Ruling)

2

Comments

  • Closed Accounts Posts: 111 ✭✭Dark_by_Dezign


    Music companies need to move with the times and stop resorting back to how easy they had it 10 years ago

    illegal downloading trough my eyes will never end!


    They need to find new ways of making money ie. Concerts , Merchandising , Advertising and all that crack


    And as far as i know you cannot be prosecuted for downloading music ,its only if you upload and make files available for other to download is when your in trouble
    but knowing me im probably wrong :rolleyes:


  • Registered Users, Registered Users 2 Posts: 11,647 ✭✭✭✭El Weirdo


    illegal downloading trough my eyes will never end!
    What download speeds can I expect to get from this technology?

    Where do I get the client?




    Edit: Also, should the title not be changed? Don't think IMRO had anything to do with this case. It was IRMA, was it not?


  • Closed Accounts Posts: 4,124 ✭✭✭Amhran Nua


    gizmo wrote: »
    I did indeed read that and was quite confused to say the least. As far as I'm aware there is an EU law (Telecoms Package) which specifically prohibits the disconnection of people due to illegal downloading and when the French brought it in there was a ruckus because of this fact. :confused:
    Correct, the European Parliament has several times ruled that private companies cutting people off without recourse to the justice system was not acceptable. The judge is talking out his or her arse, which isn't out of the way for Irish judges, we had the one in Galway recommending Tesco set up its own legal system the last day.


  • Closed Accounts Posts: 7,752 ✭✭✭pablomakaveli


    gizmo wrote: »
    Another Breaking News article, this one a bit more looney than the last. Pay particular attention to the last paragraph...



    The State? What ****ing planet are IRMA on?

    As soon as i saw that the judges decision i knew that IRMA were going to try and lobby the government to make the laws. These guys won't let it rest.


  • Moderators, Music Moderators Posts: 4,726 Mod ✭✭✭✭Gonzovision


    More websites like Bandcamp are the way to go. 5.75 euro for Sufjan Stevens new album, can't go wrong with that.


  • Registered Users, Registered Users 2 Posts: 14,163 ✭✭✭✭danniemcq


    As soon as i saw that the judges decision i knew that IRMA were going to try and lobby the government to make the laws. These guys won't let it rest.

    We need a pirate party… although a different shower than we have in charge now


  • Registered Users, Registered Users 2 Posts: 2,057 ✭✭✭JJ


    Mark200 wrote: »
    Actually if you read the Irish Times article that I posted in this thread, you'd have seen that the judge in this case actually said that Irish piracy law is not in line with European Law, and that was the reason for his decision today... that he felt there was nothing in Irish law to rule with the record companies.

    IRMA are free to lobby the government to change our laws just like any other person or organisation. I think most people have no problem with that but they are way OTT saying that they want "to seek compensation for the past and continuing losses from the State." In the current economic climate, they are living in cloud cuckoo land and their method of calculating what they've supposedly lost revenue-wise from illegal downloads is dubious at best.


  • Registered Users Posts: 5,933 ✭✭✭Logical Fallacy


    iRock wrote: »
    I enjoy my work and create extremely useful things everyday that the entire country relies on. I'm happy to offer my skills for a reasonable amount - i.e. enough money to have a roof over my head and feed myself.

    Why is this never the case with recording artists?

    Because we are all greedy bastards?

    Or, alternatively, you work in a job that a lot of people good do, people who make music make the music that only they can make.

    It's a little more complicated that you being a martyr i reckon. :D


  • Registered Users, Registered Users 2 Posts: 14,163 ✭✭✭✭danniemcq


    JJ wrote: »
    IRMA are free to lobby the government to change our laws just like any other person or organisation.

    But if they do lobby the government and the laws are changed would that not mean that Ireland is breaking EU law in that case? Would Eircom be breaking EU Law if they disconnect someone or am I misreading some of the earlier posts?


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  • Registered Users, Registered Users 2 Posts: 2,057 ✭✭✭JJ


    danniemcq wrote: »
    But if they do lobby the government and the laws are changed would that not mean that Ireland is breaking EU law in that case? Would Eircom be breaking EU Law if they disconnect someone or am I misreading some of the earlier posts?

    That made little or no sense to me and I won't pretend to know the ins and outs of Irish or EU law but what we know from their statement is that at some point, IRMA are going to look for some compensation from tax payers and the record companies' calculations for their supposed losses are likely to be inflated. I seem to remember reading an article that attacked these figures that the media often quote but I'm not sure where I read it.


  • Posts: 0 [Deleted User]


    smokedeels wrote: »
    I'll always support the "download, listen, buy or delete" method of discovering music.

    But you can do that freely on the internet without having to "download" it.:confused:
    It's odd a lot of people willingly will use the Copyright Breachers material to preview and then go and buy the album or whatever and think they've done nothing wrong, ok maybe they are not stealing from the artist if they do buy it, but they are still downloading copyrighted material and boosting the uploaders/rippers virtual willy.


  • Registered Users, Registered Users 2 Posts: 3,536 ✭✭✭Mark200


    gizmo wrote: »
    I did indeed read that and was quite confused to say the least. As far as I'm aware there is an EU law (Telecoms Package) which specifically prohibits the disconnection of people due to illegal downloading and when the French brought it in there was a ruckus because of this fact. :confused:

    Well I assume the judge knows what he's talking about, and was quite possibly referring to copyright law in general rather than specifically a three-strikes rule enforced by law. If he is right in saying that Irish copyright law does not fall into line with European Law, then the record companies probably aren't unreasonable to seek some sort of compensation from the state. Either way, I think it's fair to say... based on the Judge's remarks... that this ruling is not the end. Although admittedly I haven't read the full judgement yet.

    And as far as i know you cannot be prosecuted for downloading music ,its only if you upload and make files available for other to download is when your in trouble
    but knowing me im probably wrong :rolleyes:

    I think you're right yeah, but the record companies, as far as I know, are only going after torrents at the moment... and anyone who downloads a file through a torrent is automatically uploading too.

    Amhran Nua wrote: »
    Correct, the European Parliament has several times ruled that private companies cutting people off without recourse to the justice system was not acceptable. The judge is talking out his or her arse, which isn't out of the way for Irish judges, we had the one in Galway recommending Tesco set up its own legal system the last day.
    Incorrect, the ruling made in respect to France's case was because of the fact that the three-strikes rule was law.... whereas with Eircom it is just company policy. Big difference.


  • Registered Users, Registered Users 2 Posts: 1,479 ✭✭✭Notorious97


    What do record companies expect though, they over charge and rob people blind for years with prices of music, then the internet arrives and hey people can get it for free. Doesn’t take a genius to work out which route most people will go.

    When they lower their prices dramatically then i will have sympathy for them, until then its tough titties


  • Registered Users Posts: 194 ✭✭i_love_toast


    smokedeels wrote: »
    The record industry is no longer able to cherry-pick singles, influence what we hear via radio stations, and decide which review sites/magazines get the first copies of new releases. Music, like everything should, is being judge freely and on it's own terms, free of corporate influence. That's the issue, we all know that statistically the biggest downloaders are also the biggest spenders, if revenue is down, it might be the standard of the product.

    completely agree with this!

    Blogging has been so important for small bands and especially Irish bands to get their songs listened to all over the world instead of record companies cherry picking bands and choosing who gets attention and who doesn't.
    IMRO (Irish music rights organisation) decided to take it upon themselves to get blogging banned as most bloggers put up a song or two from a band and say "Hey, this is a great unknown irish band listen to this!". Irish bands DO NOT want blogging bands as its their only way of getting a wider audience listening to their music.


  • Closed Accounts Posts: 4,124 ✭✭✭Amhran Nua


    Mark200 wrote: »
    Incorrect, the ruling made in respect to France's case was because of the fact that the three-strikes rule was law.... whereas with Eircom it is just company policy. Big difference.
    If you have another read of the comment there, the judge was saying that Irish law should incorporate a three strikes law or similar penalty in accordance with European law, which is so completely wrong that I'd question that judge's fitness, despite the correct decision made in this case.


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  • Closed Accounts Posts: 106 ✭✭shinfujiwara


    gizmo wrote: »
    Would you say the same thing to an artist or sculptor who worked on a piece for a number of months? Here's a £1, be happy you get it?


    I'm guessing you don't play any instruments then? Or have you actually ever created something useful? I'm not trying to be smart here, both quoted posts just show a distinct lack of understanding for the value placed on something someone creates.

    Do you really think that an artist should earn more than a dedicated/well studied doctor, for example? I can't see any reason why should they. That's not only artists, of course. There is a lot of professions with huge unfair profits, I know.

    Now... should Lady Gaga and Justin Bieber make that much money compared to any professional around the world? I would gladly pay a small amount for bands that I consider very good, if they didn't already have more money than I probably will have in my lifetime. But I wouldn't pay thousands of euros for all my pirated songs, many of them aren't even sold in Europe, how would I buy it?

    Many artists overestimate themselves, that's how I see it if you ask me. Pardon me for being honest. I just consider much more valuable in a monetary system, a person whose job saves me from agonizing death than someone painting abstract things to make me feel better. It's not about which one you or me like the most. It's about valor in this system.

    Wouldn't you agree?


  • Registered Users, Registered Users 2 Posts: 8,405 ✭✭✭gizmo


    Do you really think that an artist should earn more than a dedicated/well studied doctor, for example? I can't see any reason why should they. That's not only artists, of course. There is a lot of professions with huge unfair profits, I know.
    You can't compare these professions at all. These artists write material which is enjoyed by people all around the world whereas the other professions have a much smaller client base. Unless artists were paid peanuts (in a near literal sense) then once they get to a certain level of stardom they'll be earning massive amounts of money. You can't simply say "that's not fair" and cut the amount of money they earn across the board as you'd also be harming those who artists who haven't made it. It's the way the system works though and while people may complain that some massive bands make massive amounts of money there are several times the number of artists who are struggling to make ends meet.
    Now... should Lady Gaga and Justin Bieber make that much money compared to any professional around the world? I would gladly pay a small amount for bands that I consider very good, if they didn't already have more money than I probably will have in my lifetime. But I wouldn't pay thousands of euros for all my pirated songs, many of them aren't even sold in Europe, how would I buy it?
    Therein lies the point, you'll pay a small amount. Now what happens when one million other people also pay a small amount? :)

    As for all your pirated songs, nothing excuses theft, whether it's you sticking it to the man or complaining that you couldn't afford them anyway, it's still a crime.


  • Registered Users, Registered Users 2 Posts: 28,789 ✭✭✭✭ScumLord


    I don't really consider most music to be art, a person I consider to be an artist was Da Vinci most of what he did was for his own benefit and curiosity and the rest of the world befitted from that.

    I wouldn't pay for most music and find the advertising that aimed at children to be no better than propaganda that should be monitored, the fact is most music is well produced muck engineered for maximum sales. They don't deserve the money.


  • Closed Accounts Posts: 4,124 ✭✭✭Amhran Nua


    Now... should Lady Gaga and Justin Bieber make that much money compared to any professional around the world? I would gladly pay a small amount for bands that I consider very good, if they didn't already have more money than I probably will have in my lifetime. But I wouldn't pay thousands of euros for all my pirated songs, many of them aren't even sold in Europe, how would I buy it?
    You're running up against the monolithic record industry model there though. They act to concentrate marketing hype on a few bands and musicians, which is then where all the money flows, after a huge slice is siphoned off to pay for record industry profits.

    What the internet has the potential to do, and indeed is doing, is creating a distributed model without the middleman, so the age of mega-acts getting mega-bucks may well be coming to an end, as a more natural distribution of wealth to a much wider variety of artists takes place.

    The itunes store is a good example of this. Instead of purchasing albums which include one or two great tunes and ten average to poor ones, you can now buy the one great song, and spend the rest of your money on great songs from other artists, improving the average quality of music and spreading the wealth around more.

    You can expect the record industry to die kicking and screeching, but die it will.


  • Moderators, Science, Health & Environment Moderators, Social & Fun Moderators, Society & Culture Moderators Posts: 60,104 Mod ✭✭✭✭Tar.Aldarion


    great news, cant see eircom maintaining much customers in the future


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  • Closed Accounts Posts: 1,463 ✭✭✭Trevor451


    I dont know if this has been posted before but:

    piracyglobalwarming.jpg


  • Closed Accounts Posts: 106 ✭✭shinfujiwara


    gizmo wrote: »
    Therein lies the point, you'll pay a small amount. Now what happens when one million other people also pay a small amount? :)

    As for all your pirated songs, nothing excuses theft, whether it's you sticking it to the man or complaining that you couldn't afford them anyway, it's still a crime.

    What happens when another one million people pay a small amount? Hm... they'll be millionaires? That sounds pretty good for me...

    So, you don't have any pirated song? You have thousands of songs all legally bought? If so, wow!!! I would enjoy having so much money! Unfortunately I haven't and wouldn't pay such incredible amount of money. And most people who have the knowledge to download things wouldn't/haven't also.

    Even presidents download music, everyone downloads music, right? Just because someone is trying to prevent it so they can make more billions out of it, won't stop me or others. And that's the whole point! If you'll try to convince every person who thinks like me in the whole world, you'll have a hard time doing it.

    I can imagine myself accessing a band's website (not a tracker) to download it LEGALLY. Then you see that you get it for free at 128kb/s MP3. But if you donate €1.00 or more you have access to the whole database with lots of different formats/bitrates like AAC/OGG/FLAC. Then I hear the thing and I say "damn! these guys are good!" So, maybe I'm so touched that I'll remember to give some money to them, and to visit some concert of theirs in my city some day.

    There is lots of people who went to live shows without have bought anything from the band. Just downloaded it or heard it in another place. At least the members are having some profit with this guy right now. The reason being: They're good!

    But the main point here is not the "right or wrong" thing, but the fact that the industry has changed, right? So, now they need to deal with it, adapt to it... At least on that, we agree? Because if they don't adapt themselves, well... someday almost the whole world will have access to the internet, and that day is coming relatively fast...

    You see, even famous lawyers agree with that, and can argue much better than me, of course:
    http://www.youtube.com/watch?v=7Q25-S7jzgs


  • Closed Accounts Posts: 13 Butterbumps


    Ugh, sad to see a judge swallowing the record industry nonsense about how much piracy is hurting them instead of applying some critical thinking (even if he did make the 'correct' decision). I have yet to see any argument for piracy hurting sales that didn't rely on the "1 download = 1 lost sale" fallacy.

    Here's a relevant article from an indie games developer about their analysis of how much their game was pirated, and how much they think it affected sales. Different industry, obviously, but I think the conclusions are transferable.


  • Closed Accounts Posts: 106 ✭✭shinfujiwara


    Amhran Nua wrote: »
    You can expect the record industry to die kicking and screeching, but die it will.

    Indeed it will. :)


  • Registered Users, Registered Users 2 Posts: 1,226 ✭✭✭blubloblu


    Amhran Nua wrote: »
    If you have another read of the comment there, the judge was saying that Irish law should incorporate a three strikes law or similar penalty in accordance with European law, which is so completely wrong that I'd question that judge's fitness, despite the correct decision made in this case.
    Anyway, EU law is on the consumer's side.
    The folllowing must be implemented into Irish law by May:
    Measures taken by Member States regarding end-users access’ to, or use of, services and applications through electronic communications networks shall respect the fundamental rights and freedoms of natural persons, as guaranteed by the European Convention for the Protection of Human Rights and Fundamental Freedoms
    and general principles of Community law.

    Any of these measures regarding end-users’ access to, or use of, services and applications through electronic communications
    networks liable to restrict those fundamental
    rights or freedoms may only be imposed if they are appropriate, proportionate and necessary within a democratic society, and their implementation shall be subject to adequate procedural safeguards in conformity with the European Convention for the Protection of Human Rights and Fundamental Freedoms and with general principles of Community law, including effective judicial protection and due process. Accordingly, these measures may only be taken with due respect for the principle of the presumption of innocence and the right to privacy. A prior, fair and impartial procedure shall be guaranteed, including the right to be heard of the person
    or persons concerned, subject to the need for appropriate
    conditions and procedural arrangements in duly substantiated cases of urgency in conformity with the European Convention for the Protection of Human Rights and Fundamental Freedoms. The right to effective and timely judicial review shall be guaranteed.’;


  • Registered Users, Registered Users 2 Posts: 8,405 ✭✭✭gizmo


    What happens when another one million people pay a small amount? Hm... they'll be millionaires? That sounds pretty good for me...
    Well that's the thing, I see a tenner being a small amount to pay for a CD which I'll get upteen hours of entertainment from. I also don't mind paying €40 for a ticket for a gig either. You may be wondering why I pay so little and that's simply because the bulk of the music I listen to is rock/metal whose gigs are usually far cheaper than mainstream equivalents. :)
    So, you don't have any pirated song? You have thousands of songs all legally bought? If so, wow!!! I would enjoy having so much money! Unfortunately I haven't and wouldn't pay such incredible amount of money.
    With the likes of streaming services like Spotify I don't need to. The albums that I do buy are from those artists I love and wish to see live in our country at some point.
    And most people who have the knowledge to download things wouldn't/haven't also.
    Yet they can afford the PCs, internet connections, adequate storage space and probably portable media players to listen on? As I said, it's still theft.
    Even presidents download music, everyone downloads music, right? Just because someone is trying to prevent it so they can make more billions out of it, won't stop me or others. And that's the whole point! If you'll try to convince every person who thinks like me in the whole world, you'll have a hard time doing it.
    Nope, but they can lock you up for it or fine the **** out of you. That should be enough to disuade most people.

    As for what I'd like to happen, I'd like the industry to evolve it's distribution methods to reflect the times we live in. A couple of years ago there was a site called allofmp3 which, despite it's unfortunately dubiously legality internationally, offered one of the most amazing music services I've ever seen. It had a wide selection of music that you could browse and you then paid for each download based on the quality level and hence filesize of your download. There was a base price for each song of course but from there the price went up as you approached lossless compression. The prevalence of sites like these with affordable prices SHOULD help reduce piracy.

    Of course, there remains the fact that no matter what anyone does regardless of how cheap it is, people will still download it for free if they can. As I said, these people are thieves and deserve to pay for their actions. As for your idea of getting it for free at a certain bitrate and then "maybe" donating money and "maybe" going to see them. Well that's just rubbish, you don't go to work to "maybe" get paid, do you?

    I'm perfectly happy to admit the system isn't perfect but I'm also quite aware that record companies are definitely needed on some level to finance both recording and touring of bands. It's clear the industry is certainly evolving, albeit slowly, and I don't care whether it's willingly or kicking and screaming, but it's definitely happening. Services such as the streaming based Spotify and Rdio, subscription based Zune or just general stores like iTunes and Amazon are more than enough to show this.


  • Registered Users, Registered Users 2 Posts: 17,727 ✭✭✭✭Sherifu




  • Closed Accounts Posts: 106 ✭✭shinfujiwara


    Nope, but they can lock you up for it or fine the **** out of you. That should be enough to disuade most people.

    To be able to prevent me from doing this, they would need to totally brake my privacy. Knowing everything I do on the internet, not just that, and that's ridiculous. The majority of countries in the world won't do this, I believe. It's like having an officer watching everything you do in your house, all the time. Sounds very non-2010, non-democracy, non-Ireland for me.

    I could be wrong and they could prove themselves as jerks. In that case, people who really miss this freedom would only adapt to it once more. Using VPN is one way to do that. I'm sure that if these extreme/ridiculous methods become more frequent, services like this will become better/cheaper.

    In the end, it wouldn't help much. Many wouldn't start to buy lots of musics just because now they can't download it for free anymore. Ask them on the streets, you'll see... The ones that expend much money on music are usually (not always) "illegal downloaders". Because they have access to thousands of songs, appreciate many different bands and attend to their live shows. Many people would try to find another way or just won't buy it anymore. Buying only rarely, from their favorite bands, or copying CDs from people who bought it. There is no going back any more, we both know it.

    It's like that case in China, lots of Chinese fans of a Japanese porn star started to follow her on Twitter. How? If they can't have access to her products and not even Twitter? Well... hehehe XD

    Watch that TED video that I posted to you, maybe you'll change your mind. And ask people here on the forum or in the streets if they'll like having their private life cracked open.


  • Registered Users, Registered Users 2 Posts: 709 ✭✭✭ClutchIt


    This is great. As a result of free downloads a lot more recording artists get more exposure over the big artists such as U2. Half the bands I listen to now would never have gotten a listen if i couldn't download them. I have always tried to buy some stuff of theirs if I like them.

    I welcome this and it will give UPC great publicity. Eircom are a sinking ship and they have only themselves to blame.

    Bullshít. Why would the fact that it's not free mean you would blindly go into a shop and buy a U2 record? People would still talk about music you'd hear a lesser known band at a friends house or similar and then proceed to buy the cd if you liked it.


  • Closed Accounts Posts: 13 Butterbumps


    ClutchIt wrote: »
    Bullshít. Why would the fact that it's not free mean you would blindly go into a shop and buy a U2 record? People would still talk about music you'd hear a lesser known band at a friends house or similar and then proceed to buy the cd if you liked it.

    Nobody ever suggested that people should or would just blindly buy albums at random until they find one they like. The point is that the ability to easily download and listen to any music you want at any time makes it much easier to discover new music that you like than would otherwise be the case. Which is a good thing for the vast majority of artists, who don't get played on the radio or have their CDs displayed in the window of HMV.

    Those artists (if they have a clue) don't care how many thousand people illegally download their album as long as one out of every thousand becomes a die-hard fan who'll go to their shows, buy their t-shirts, and recommend them to friends. And who knows, maybe even pay for future albums.


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  • Registered Users, Registered Users 2 Posts: 8,405 ✭✭✭gizmo


    To be able to prevent me from doing this, they would need to totally brake my privacy. Knowing everything I do on the internet, not just that, and that's ridiculous. The majority of countries in the world won't do this, I believe. It's like having an officer watching everything you do in your house, all the time. Sounds very non-2010, non-democracy, non-Ireland for me.

    I could be wrong and they could prove themselves as jerks. In that case, people who really miss this freedom would only adapt to it once more. Using VPN is one way to do that. I'm sure that if these extreme/ridiculous methods become more frequent, services like this will become better/cheaper.
    This point has come up a few times and it continues to amuse me. It's basically saying it's okay if you break the law but not okay if they break the law to find out you're doing it. :pac:

    As for both the rest of your post and Butterbumps' reply, there is no need to allow people to fully download a copy of the album. Simply allowing music to be streamed freely ensures that the potential customer can hear the music before they buy it and the artists IP remains intact, everyone wins so I don't see the problem with it at all.

    On a final note, to disprove the notion that payment should be left in the hands of customers, one need only look at the Radiohead/In Rainbows fiasco to see that it doesn't work.


  • Closed Accounts Posts: 13 Butterbumps


    gizmo wrote: »
    On a final note, to disprove the notion that payment should be left in the hands of customers, one need only look at the Radiohead/In Rainbows fiasco to see that it doesn't work.

    Oh yeah, that fiasco that made them more money in the two months it was available online as "pay what you like" than they made in total from their previous album. Good point. :rolleyes:


  • Closed Accounts Posts: 2,494 ✭✭✭citizen_p


    well most people who own an ipod have thousands of euros worth of illegal music. if you really want to stop music piracy do random scans of i Pods, an then the computers they were loaded off, itll never happen but could work


  • Registered Users, Registered Users 2 Posts: 8,405 ✭✭✭gizmo


    Oh yeah, that fiasco that made them more money in the two months it was available online as "pay what you like" than they made in total from their previous album. Good point. :rolleyes:
    You're unfortunately missing the point, the majority of people chose to pay nothing for the album while a small percentage paid over the odds. The average paid was £4 per download which is less than half of the regular retail price. That, for a band with a fanbase such as Radioheads, says a lot about the idea. Now imagine if that was a lesser known band, do you think many would pay over the odds or even hit that average price? I highly doubt it unfortunately, hence my use of it as an example in allowing people to pay what they want.


  • Closed Accounts Posts: 13 Butterbumps


    gizmo wrote: »
    You're unfortunately missing the point, the majority of people chose to pay nothing for the album while a small percentage paid over the odds. The average paid was £4 per download which is less than half of the regular retail price. That, for a band with a fanbase such as Radioheads, says a lot about the idea. Now imagine if that was a lesser known band, do you think many would pay over the odds or even hit that average price? I highly doubt it unfortunately, hence my use of it as an example in allowing people to pay what they want.

    Yeah, I'm aware of the breakdown of how many people paid what, but I fail to see how the proportion of people paying nothing is more relevant than the amount of money they made. Are you sure that I'm the one missing the point? In fact, I would argue that for every album released by every artist of Radiohead's stature, the majority of people who 'acquire' the album do so without paying for it (albeit without the artists' blessing in those cases), and yet these artists still (apparently) make money.

    The amount of people who download without paying is only relevant if you subscribe to the fallacy that every one of those people would have bought the album at full price if the free download was unavailable. If you have some evidence that that's the case, I would really, genuinely love to see it.

    For another example of this kind of thing see the week-long "pay whatever you want" sale of the indie game World of Goo last year. Again, most people did indeed pay little to nothing, but this two-man independent team who certainly don't have a fanbase anything like the size of Radiohead's made around $100,000 in that week. Which certainly seems like a success to me.


  • Registered Users, Registered Users 2 Posts: 1,381 ✭✭✭Eire Go Brach


    Does nobody else think its quite ironic, that Dick and Willie went to court to stop illegal downloads:)

    Fair play to UPC it's always good to beat Dick and Willie in the courts.







    Irma chairman Willie Kavanagh, Dick Doyle, director-general of the Irma


  • Moderators, Science, Health & Environment Moderators, Social & Fun Moderators, Society & Culture Moderators Posts: 60,104 Mod ✭✭✭✭Tar.Aldarion


    gizmo wrote: »
    You're unfortunately missing the point, the majority of people chose to pay nothing for the album while a small percentage paid over the odds. The average paid was £4 per download which is less than half of the regular retail price. That, for a band with a fanbase such as Radioheads, says a lot about the idea. Now imagine if that was a lesser known band, do you think many would pay over the odds or even hit that average price? I highly doubt it unfortunately, hence my use of it as an example in allowing people to pay what they want.
    I would be more likely to pay higher or at all if they were less known and I liked them


  • Registered Users, Registered Users 2 Posts: 8,405 ✭✭✭gizmo


    Yeah, I'm aware of the breakdown of how many people paid what, but I fail to see how the proportion of people paying nothing is more relevant than the amount of money they made. Are you sure that I'm the one missing the point? In fact, I would argue that for every album released by every artist of Radiohead's stature, the majority of people who 'acquire' the album do so without paying for it (albeit without the artists' blessing in those cases), and yet these artists still (apparently) make money.
    Perhaps we're just arguing two different points here. I'm not talking about overall money made as I covered that in a reply earlier in the thread. I'm specifically referring to allowing payment to be decided upon by the customer as, in the case of In Rainbows, it was seen that the majority of people didn't pay for it. While they indeed make more money in the end, this can't be used as a yardstick for other bands as a) they're the only band doing it, if every band did it then people would just download everything and only pay for a little, essentially the same situation we have now; b) Radiohead are popular enough to pull it off i.e. they have enough fans who were willing to pay for their music for it to work; c) although related to (a) it was still a novelty at the time which probably drew more attention to it.
    The amount of people who download without paying is only relevant if you subscribe to the fallacy that every one of those people would have bought the album at full price if the free download was unavailable. If you have some evidence that that's the case, I would really, genuinely love to see it.
    To be clear, that's not something I believe in at all. I do think there are a large percentage of those users who, faced with the option of either buying it or doing without it, would choose to buy it however.
    For another example of this kind of thing see the week-long "pay whatever you want" sale of the indie game World of Goo last year. Again, most people did indeed pay little to nothing, but this two-man independent team who certainly don't have a fanbase anything like the size of Radiohead's made around $100,000 in that week. Which certainly seems like a success to me.
    Again I find the 2D Boy thing quite insulting (not personally of course) in that people felt they could download a product which is worth a lot more for sweet **** all. Now I know they made their money back but again, that wouldn't work if everyone did it and again proved popular because it had not been done before.

    On a related note you may remember the Humble Indie Bundle that went on-sale a couple of months ago. It was a bundle of indie games, World Of Goo included, which the person behind the deal quite vocally said would sell loads because there was no DRM and people could pay whatever they wanted and money went straight to both the developers and to charity. Despite this and indeed the total money raised, they found that over 25% of people pirated the pack via direct links from other sites. Again this shows that even when people bend over backwords to provide fantastic, DRM-free entertainment at a price of their choosing, people will still choose to download it for free.

    It's on that basis that I reject the notion of bands offering their wares for free and instead point to services such as Spotify or other streaming sites as a happy medium for both customers and artists.


  • Closed Accounts Posts: 3,080 ✭✭✭Gunsfortoys


    ClutchIt wrote: »
    Bullshít. Why would the fact that it's not free mean you would blindly go into a shop and buy a U2 record? People would still talk about music you'd hear a lesser known band at a friends house or similar and then proceed to buy the cd if you liked it.

    What about unknown bands or DJs in different parts of the world? I heard a set done by a completely unknown American DJ today thanks to the power of free downloading. Unless they have a record label knocking down their door, bands and DJs don't have much of a chance nowadays. The first chance I get I will be buying this Djs stuff.


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  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    gizmo wrote: »
    Well that's the thing, I see a tenner being a small amount to pay for a CD which I'll get upteen hours of entertainment from

    wouldnt you rather pay a fiver, all of which going to the artist instead of them getting pennies from your tenner though?


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    Mousey- wrote: »
    well most people who own an ipod have thousands of euros worth of illegal music. if you really want to stop music piracy do random scans of i Pods, an then the computers they were loaded off, itll never happen but could work

    youd have to prove they were illegally obtained versions

    all the person has to say is "yup, have all the albums there at home"

    theyre not going to ask them to bring their cds in, and if they did youd just say "jaysus, would you believe ive no idea where they are. looked everywhere and cant find them. good thing i have this legal backup of my purchases on my ipod for such a situation!"


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    gizmo wrote: »
    Simply allowing music to be streamed freely ensures that the potential customer can hear the music before they buy it and the artists IP remains intact, everyone wins so I don't see the problem with it at all.

    streaming still downloads it though, and if you know how, you can find it on your computer. youre still downloading it


  • Registered Users, Registered Users 2 Posts: 26,061 ✭✭✭✭Terry


    ScumLord wrote: »
    I don't really consider most music to be art, a person I consider to be an artist was Da Vinci most of what he did was for his own benefit and curiosity and the rest of the world befitted from that.

    I wouldn't pay for most music and find the advertising that aimed at children to be no better than propaganda that should be monitored, the fact is most music is well produced muck engineered for maximum sales. They don't deserve the money.
    I agree to a certain extent.
    I believe that people who play instruments, and compose their own music on said instruments are artists. I believe that people who compose words in a manner which pleases a lot of people are also artists.

    People who appear on the x factor and the like are attention whores. They are only puppets of money hungry record companies. The unfortunate thing is that the talent behind the songs are paid very little money for their work, while the record companies make far more than they deserve.

    Record companies are just advertising executive. Nothing more.

    I get a lot of work through word of mouth. If someone gets me a lot of work or a big job, I'll throw them a few quid based on a percentage of what I earn.

    This is basically what record companies do. They generate word of mouth advertising through larger mediums. There is no way that they deserve a larger percentage of the revenue than the artists they pimp.

    great news, cant see eircom maintaining much customers in the future
    Unfortunately they are the only viable option for me.
    I live 10 miles from the largest city in the country, and less than 1Km from the Dublin border, yet I cannot avail of UPC's fibre line or Eircom's NGB (even though they are charging me for an 8Mb NGB line, but I'm still getting 7Mb DSL).
    I had UPC's 20Mb line. It was about 14Mb in reality, and went down for hours about 3 times a week.
    Apart from the really crappy router they gave me, and the line rental, I have no complaints about eircom.

    Things were a lot different back in 1987.
    There was one really big band who fought against the record company prices, but were defeated.
    This band released an EP and only wanted to charge their fans $5.98 for it.
    The record companies basically told them to piss off and charged the fans $10. The excuse was that "This is just the name of the EP".
    By the time it got to Ireland, we were charged £15 or thereabouts.
    To paraphrase Aldous Snow, "Go sue Napster, you record company twats!".
    Click.

    Money changes people for the worse.


  • Registered Users, Registered Users 2 Posts: 8,813 ✭✭✭BaconZombie


    This proves that the figures the *IAA/IRMA/etc give out are bull****, plus Download DOES NOT = LOST SALE!!!!

    "According to the RIAA, the Pirate Bay has stolen about 46 times more dollars than actually exist on Earth"

    http://www.cracked.com/funny-4003-the-pirate-bay/?wa_user1=1&wa_user2=topic&wa_user3=topic&wa_user4=topics


    Oh and Don't forget " Home Taping Is Killing Music "

    And Floppy Disk Copying is Killing the Software/Games Industry :



  • Registered Users, Registered Users 2 Posts: 8,405 ✭✭✭gizmo


    Helix wrote: »
    wouldnt you rather pay a fiver, all of which going to the artist instead of them getting pennies from your tenner though?
    Oh of course, however realistically that won't happen. Who would pay for the recording sessions, the CD mastering, the cover art printing and the distribution? Then when it sells, who will pay for the touring? Bands simply can't afford that and hence need a label of some sort to front the costs.

    The alternative is, of course, primarily digital distribution of all of their music. Without labels you still run into high recording and touring costs and then need to factor in additional promotion and hosting costs. With labels well all it would be is a change of format so I don't see how it could change things.

    I also don't subscribe to the notion that the entire industry is bad. There are a bunch of smaller labels serving each genre who actually work hard for the bands that sign to them. Sure there is an emphasis on mass market appeal and commercialisation from the larger labels and that's something I can't condone, but why should the smaller labels and hence the bands they sign, suffer from some misguided desire to tear down the entire industry?
    Helix wrote: »
    streaming still downloads it though, and if you know how, you can find it on your computer. youre still downloading it
    Even with services like Spotify there are ways the local cache of songs can be ripped, despite the difficulty in doing so but again that's another example of greedy consumers. They're now getting music streamed for free with the occasional short ad every couple of songs and yet they still want more?


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  • Posts: 0 [Deleted User]


    Since when was Ashley Cole doing ads about piracy on floppy disc :confused:
    :D


  • Closed Accounts Posts: 106 ✭✭shinfujiwara


    gizmo wrote: »
    This point has come up a few times and it continues to amuse me. It's basically saying it's okay if you break the law but not okay if they break the law to find out you're doing it. :pac:

    Now you're just being or pretending to be stupid. If you really think that downloading songs, a worldwide act practiced by almost anyone, can be compared to the capacity to know the entire life of someone you don't even know... Well...

    If they could in fact just know if you're downloading songs illegally, I wouldn't be too worried. Of course I still think they shouldn't, but I understand it's very different. But the fact remains: They can't do only that!

    To be able to know you're doing it, they need to know everything you do... if you're OK with that you must have problems. Because I don't know a single person who would be dandy with this kind of thing. And since Ireland is supposed to be, or at least sell the image to be a democracy, that would be just dumb.

    As you may have noticed, almost nobody would agree with you here on this forum or in the streets. Which means you're the minority, correct? So... whether or not you're the right or wrong person here, the majority is what matters in a democracy system. That's my point. This is well beyond you and me.
    Warner Chappell concluded that the new release style was a financial success.
    Last week, to celebrate the one year anniversary of World of Goo’s release, we decided to run a little experiment and for one week, offer World of Goo to the world for whatever price people want to pay for it. The birthday sale has been a huge success so far, and because of that, we are extending our little experiment/celebration until sunday, October 25.

    That two quotes in the links provided by Butterbumps wasn't good enough for you, was it? Artists...


  • Closed Accounts Posts: 17,661 ✭✭✭✭Helix


    gizmo wrote: »
    Oh of course, however realistically that won't happen. Who would pay for the recording sessions, the CD mastering, the cover art printing and the distribution? Then when it sells, who will pay for the touring? Bands simply can't afford that and hence need a label of some sort to front the costs.

    home recording is insanely cheap these days, and you can do it to a phenomenally high standard if you know what youre at. a few grand split between band members - much less than studio time - would be sufficient to produce a high quality end result... with the caveat you know what youre doing
    gizmo wrote: »
    The alternative is, of course, primarily digital distribution of all of their music. Without labels you still run into high recording and touring costs and then need to factor in additional promotion and hosting costs. With labels well all it would be is a change of format so I don't see how it could change things.

    you dont need a label to set up a tour. your management company could do that. thats one of the last things labels are trying to cling onto, but theyre not needed for it. there are alternatives
    gizmo wrote: »
    why should the smaller labels and hence the bands they sign, suffer from some misguided desire to tear down the entire industry?

    they dont need to suffer, they just need to change with the industry. a lot of them are doing it quite well, others not so well. the big ones are COMPLETELY messing the change up, choosing to stick to their guns and fail miserably. there's room for inventive labels, but the old school style is dead, and thats no bad thing
    gizmo wrote: »
    Even with services like Spotify there are ways the local cache of songs can be ripped, despite the difficulty in doing so but again that's another example of greedy consumers. They're now getting music streamed for free with the occasional short ad every couple of songs and yet they still want more?

    consumers always want more. its up to labels or bands to figure out how to get them to pay for stuff. someone will figure it out, and theyll make themselves a lot of money


  • Registered Users, Registered Users 2 Posts: 8,405 ✭✭✭gizmo


    Now you're just being or pretending to be stupid. If you really think that downloading songs, a worldwide act practiced by almost anyone, can be compared to the capacity to know the entire life of someone you don't even know... Well...
    No I was referring to the reality of the situation where firms are hired to jump onto active torrents, pull IPs from the swarm and use that to identify people. Many argue that said evidence is legally insufficient to obtain a judgement against someone hence my point above.

    They don't need to know everything you do on the internet in the slightest which makes the rest of your rant completely redundant but if it makes you feel any better I'd be completely opposed to that. :)
    That two quotes in the links provided by Butterbumps wasn't good enough for you, was it? Artists...
    As for the these links, regarding the Radiohead issue we were simply debating different points, I was not referring to overall revenues, simply letting people pay what they want for content will never work because when given the choice, the majority of people will pay nothing for it.

    As for the issue of piracy in games, I gave my counter argument to the World Of Goo link with the follow up Humble Indie Bundle story which involved the same game. There is also the issue of the initial piracy rates of WoG game being around the 80% mark from the developers. I could also give the Machinarium example where they recently had a "piracy amnesty" where they offered the game for 75% off due to an astronomical piracy rate initially. Bearing in mind this made the game $5 so even at full price and especially given the quality of the game, it was hardly ripping people off.
    Helix wrote: »
    home recording is insanely cheap these days, and you can do it to a phenomenally high standard if you know what youre at. a few grand split between band members - much less than studio time - would be sufficient to produce a high quality end result... with the caveat you know what youre doing
    Home recording may be in far better shape than it was in the last number of years but it would still be a step down in terms of what bands could produce in a proper studio setting.
    Helix wrote: »
    you dont need a label to set up a tour. your management company could do that. thats one of the last things labels are trying to cling onto, but theyre not needed for it. there are alternatives
    And then management companies are the ones who siphon off funds from the band and become the next target for people.
    Helix wrote: »
    they dont need to suffer, they just need to change with the industry. a lot of them are doing it quite well, others not so well. the big ones are COMPLETELY messing the change up, choosing to stick to their guns and fail miserably. there's room for inventive labels, but the old school style is dead, and thats no bad thing
    And I completely agree with this, the industry as a whole needs to change, the major labels especially need to either do this or risk dying out. The smaller labels are adapting though, allowing their music to be licensed out to streaming sites and going for a more fan-driven approach. Hence my point, why call for the destruction of the industry as a whole when people's resentment is aimed at a small number of, admittedly large, companies?
    Helix wrote: »
    consumers always want more. its up to labels or bands to figure out how to get them to pay for stuff. someone will figure it out, and theyll make themselves a lot of money
    Exactly and so I ask the same question I've asked before, what would it take to stop people from downloading music illegally? The answer seems to be nothing unfortunately, as long as it's there for free people will continue to try and take it so there's effectively nothing that can be done. All they can hope to do, according to some people, is offer it for free and hope people chose to pay for it. From an artists perspective, however, they simply can't live like that.


  • Registered Users, Registered Users 2 Posts: 444 ✭✭franklyshocked


    Blocking access to music will kill the industry faster than "piracy"

    Or file sharing.


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