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Max Dupain and David Moore: Behind the Seen

  • 09-12-2010 12:19am
    #1
    Moderators, Category Moderators, Arts Moderators, Entertainment Moderators Posts: 9,047 CMod ✭✭✭✭


    I went along to the local Gallery where they have some Prints on display from Max Dupain and David Moore. The exhibition is called Behind the Seen.

    They had a copy of this iconic photo, The Sunbaker, from Max Dupain.

    dupain_sunbaker-1934.jpg

    It is a strong and simple image which encapsulate and lifestyle. There was some background on this shot and rather than it being a posed image to make a statement, it was a grab shot when a mate came out of the water and dropped down on the beach next to Max. Taken in 1937 but I think it still holds up well today.

    Fgallery3-1.jpg

    This was another photo on display. Taken in 1939 this shot is more a product of it's era.

    Once again from David Moore we had a couple of strong images.

    32041_std.jpg

    Liked this shot from 1950 "Painting the Himalaya, Sydney"

    32028_std.jpg

    This shot of Pyrmont Bridge, Sydney from 1947 was exceptional. It stands up well today.

    The rest of the exhibition was not as strong but then it is a small regional gallery and it was good to see some quality photography locally.


Comments

  • Registered Users, Registered Users 2 Posts: 6,756 ✭✭✭Thecageyone


    Now these are some fine images. Such high quality considering the era they hail from. Nice, thanks for sharing :)

    Especially like #1 and #3.

    1 for the sheer clarity, the droplets on the arm and shoulder, the sand on the wet fingers. He could maybe have cropped out some of the foreground :P

    2 for the composition, and that excellent shadow. That alone would make a fine image if cropped right :)


    IMH[umble]O of course.


  • Moderators, Category Moderators, Arts Moderators, Entertainment Moderators Posts: 9,047 CMod ✭✭✭✭CabanSail


    I have seen Sunbaker cropped. It was printed huge on the side of a building. I much prefer the shot as presented here with the negative space in the foreground. I think it gives some distance between the viewer & subject. The print I saw was of the same tone as the one above too. It really is very nice work. I think there is a presentation on it at the Gallery soon and I will try to attend.


  • Registered Users, Registered Users 2 Posts: 6,756 ✭✭✭Thecageyone


    This is how the photographer wanted it to be, so I guess you're right. Sometimes you can't argue with class, and I do agree, it's a class shot.


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