Advertisement
If you have a new account but are having problems posting or verifying your account, please email us on hello@boards.ie for help. Thanks :)
Hello all! Please ensure that you are posting a new thread or question in the appropriate forum. The Feedback forum is overwhelmed with questions that are having to be moved elsewhere. If you need help to verify your account contact hello@boards.ie
Hi all! We have been experiencing an issue on site where threads have been missing the latest postings. The platform host Vanilla are working on this issue. A workaround that has been used by some is to navigate back from 1 to 10+ pages to re-sync the thread and this will then show the latest posts. Thanks, Mike.
Hi there,
There is an issue with role permissions that is being worked on at the moment.
If you are having trouble with access or permissions on regional forums please post here to get access: https://www.boards.ie/discussion/2058365403/you-do-not-have-permission-for-that#latest

Eurovision effects

  • 12-05-2011 8:58pm
    #1
    Registered Users Posts: 171 ✭✭


    Aside from the dreadful singing and cheesy lyrics Im loving the tilt/shift effects in the Eurovision semis, I presume that's done the exact same way as on a still camera?


Comments

  • Registered Users Posts: 279 ✭✭IamBlip


    It also looked time lasped and if so then someone has put alot of effort into it...."dreadful singing and cheesy lyrics" Jedward FTW!


  • Registered Users, Registered Users 2 Posts: 547 ✭✭✭KylieWyley


    Yeah, it's really cool isn't it? It's a strange optical effect that messes with your head.

    One of the top rated videos on vimeo is this one:

    http://vimeo.com/9679622

    He explains how the effect was achieved here:

    http://aerofilm.blogspot.com/2010/02/sandpit-short-film-by-aero-director-sam.html

    "The footage was shot as raw NEFs, which I organised and colour graded in Adobe Lightroom. I always shoot raw, as it gives you so much more latitude when grading. These were then output as 720p jpg sequences and quickly stabilised to do the initial edit. Once the edit was mostly locked, all the final footage was re-output at full 2800px resolution, tracked, stabilised and the DOF effect and movement added in Eyeon Fusion, using Frischluft Lenscare. I output the final shots at 1080p. Although most shots stay with the basic tilt-shift effect, some have focus pulls, or more complex depth mattes were built up along with some paint work to allow buildings to drop out of focus next to the in-focus ground."


Advertisement