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The Oldskool Appreciation Party - O.A.P's thread
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Have that on a mix here along with a couple of others
http://www.mixcrate.com/antc1975/juicy-choons-mix-2-2357810 -
True that mate.
How about volcano - let your body be free? Another cornerstone of the big tree back on the day.
Ah yes now thats a classic.I was meant to stick it up with k-klass.I always find when i think of either one of these songs it always reminds me of the other...:D
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Have that on a mix here along with a couple of others
http://www.mixcrate.com/antc1975/juicy-choons-mix-2-235781
SOUND i'll d/l it and give it a whirl.
Again when i hear of r think of this track it always reminds me of this song
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SOUND i'll d/l it and give it a whirl.
Again when i hear of r think of this track it always reminds me of this song
I've been looking for a good copy of this track - only have a **** utube rip of it. Did u have this in vinyl, seem to remember that and if so fancy posting it up for me?0 -
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Some of the best and most widely sampled piano, are on this video.
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Some of the best and most widely sampled piano, are on this video.
Yes i heard this b4 Sean it's ****ing brilliant.0 -
Love the piano break in thispure joy as the title states.
Moby dick at his best....:D
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What software are u using to record? Soundforge is very good.
Is it deck - amp - PC setup?
Close Deck amp pc and stero set-up i use cool edit pro.Personally i find it more user friendly than sound forge.Just go from the booth out on your mixer to the line in on your pc Asa, and use Audacity to record it, it's free, and piss easy to use.
This is what i'm trying to say Sean i used to have it set-up that way but as i've mentioned the line in does not appear to be working on this pc i'm using.When i set my volume to recording device on the pc the line-in volume tab is greyed out if you get me.Here can i load a picture up here and i'll do a screen shot to show ya.Do a few trial runs, to get your levels right, so they don't clip (very important) and export it, and keep it as a wav, not mp3 (even more important!)
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I do get the vinyl recorded.As i've mentiond ther is a strong hiss somund in the back ground that i never had on my old set-up.So it basically ruins the track.Here i have a track i recored recently you'll hear the hiss.
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I do get the vinyl recorded.As i've mentiond ther is a strong hiss somund in the back ground that i never had on my old set-up.So it basically ruins the track.Here i have a track i recored recently you'll hear the hiss.
You can get rid of background noise very easily Ace.
Don't normalise it, like he has done, in this vid.
Normalising can leave the file clipped (sometimes),
just amplify it to -0.1dB, that way it will never clip.0 -
You can get rid of background noise very easily Ace.
Don't normalise it, like he has done, in this vid.
Normalising can leave the file clipped (sometimes),
just amplify it to -0.1dB, that way it will never clip.
Ok so i normally would use the hiss removal in cool edit.But it tends to remove a little to much for my liking and i don't want the hiss either.:D.So basically when i use the hiss this is clipping it am i correct Sean.????????
See the thing is Sean i did'nt need to normalise it as i had it set the volume or made sure that the volume would be between -3 & 0 from the begging by basically placing the needle on a section of the vinyl that would probably reach the volume peak.So if the db on the eq on cool edit went red it'd just turn the volume down on the mixer till it was between -3 & 0 if you get what i'm saying but it makes no difference to the hiss as it's still ther.0 -
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This video is very useful, for anyone who isn't clued in on audio recording.
It's the way i record mixes, and rip vinyl, and it's the best way to do so.
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Ok so i normally would use the hiss removal in cool edit.But it tends to remove a little to much for my liking and i don't want the hiss either.:D.So basically when i use the hiss this is clipping it am i correct Sean.????????
See the thing is Sean i did'nt need to normalise it as i had it set the volume or made sure that the volume would be between -3 & 0 from the begging by basically placing the needle on a section of the vinyl that would probably reach the volume peak.So if the db on the eq on cool edit went red it'd just turn the volume down on the mixer till it was between -3 & 0 if you get what i'm saying but it makes no difference to the hiss as it's still ther.
No the hiss can be background noise, which can be removed. If i file is clipped, it means that it has been recorded at too high a level, and distorts, which can't be fixed. i usually record mixes at around -10dB, the i limit them, and then i amplify them. Doing this will make your mixes sound much more professional, volume-wise. You will have a mix that is very high in volume, and still very clear and crisp sounding. All you need to do, to get rid of the hiss is. Leave a gap at the start of the track, where it will be just hiss and background noise. Then when the file is recorded, you highlight the area at the start that is just hiss, and "get the sound profile" of it. Then you highlight the entire track, and remove that noise. It's handy to do, if i was there with you now, i could show you, but obviously i'm not lol 0 -
No the hiss can be background noise, which can be removed. If i file is clipped, it means that it has been recorded at too high a level, and distorts, which can't be fixed. i usually record mixes at around -10dB, the i limit them, and then i amplify them. Doing this will make your mixes sound much more professional, volume-wise. You will have a mix that is very high in volume, and still very clear and crisp sounding. All you need to do, to get rid of the hiss is. Leave a gap at the start of the track, where it will be just hiss and background noise. Then when the file is recorded, you highlight the area at the start that is just hiss, and "get the sound profile" of it. Then you highlight the entire track, and remove that noise. It's handy to do, if i was there with you now, i could show you, but obviously i'm not lol
X C LENT Sean
The part about recording @ -10dB i did not know.The part about using the gab at the start i remember know it's coming back to me know,you've refreshed the memory for me.Been a few yrs since i've done vinyl.
Super thks for the info Sean
Now to see if i can find that vinyl for ''C''
C is Anto by the way we used to call him C.Probably not been called that for yr.Probabbly been called worse mind u....lol 0 -
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X C LENT Sean
The part about recording @ -10dB i did not know.The part about using the gab at the start i remember know it's coming back to me know,you've refreshed the memory for me.Been a few yrs since i've done vinyl.
Super thks for the info Sean
Now to see if i can find that vinyl for ''C''
C is Anto by the way we used to call him C.Probably not been called that for yr.Probabbly been called worse mind u....lol
Still actually called "C" by some of the old boys alright but now all growed up so the old nickname is lost "to the oldskool".
It's great that we can share the knowledge like this, lads. Nice one for getting Asa sorted Sean. Makes me miss the oul decks though:mad:0 -
Still actually called "C" by some of the old boys alright but now all growed up so the old nickname is lost "to the oldskool".
It's great that we can share the knowledge like this, lads. Nice one for getting Asa sorted Sean. Makes me miss the oul decks though:mad:
Never give up my decks man, i use traktor now, with timecoded vinyl, to preserve my record collection. It would be a right pain in the hoop, and very expensive, to replace nearly 4000 records 0 -
Never give up my decks man, i use traktor now, with timecoded vinyl, to preserve my record collection. It would be a right pain in the hoop, and very expensive, to replace nearly 4000 records
I still have all of my records, I wasn't prepared to part with them!!!!!!!!! Just had to sell the decks at the time:(
How does your set up work exactly mate?0 -
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I still have all of my records, I wasn't prepared to part with them!!!!!!!!! Just had to sell the decks at the time:(
How does your set up work exactly mate?
Selling records, is a huge mistake!
I have a Mac, on that is a program called Traktor, which is basically a virtual DJ software. You get timecoded vinyl, which have nothing on them, and when you play them without a track loaded onto one of the decks in the software, you get a high pitched squeal from them (at a very low level of course). Basically you play all your digital files, from your computer, on your turntables, and control them with the timecoded vinyls, like you would a regular vinyl record.
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It's the business, i love it. I still buy a lot of vinyl as well, but i usually rip them when i do, and use them through Traktor.
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Just seen this, over on the dnb thread. Love Omni Trio's stuff, some really awesome tracks they've released, and this is no exception!
And of course, i can't post about Omni Trio, without posting this compete classic as well
What a tune, still sends shivers down my spine, to this day!0 -
It's the business, i love it. I still buy a lot of vinyl as well, but i usually rip them when i do, and use them through Traktor.
Cheers mate, looks like an excellent set up.
Gonna look into this.
How technology has progressed over the years is just amazing.
Still I won't miss lugging a big back of records around. Remember those days:pac::pac::pac:0 -
Cheers mate, looks like an excellent set up.
Gonna look into this.
How technology has progressed over the years is just amazing.
Still I won't miss lugging a big back of records around. Remember those days:pac::pac::pac:
Yeah, that was a pain! I just burn cd's mostly these days, and use cdjs, when they're available. Most of my mates have them anyway, so any parties or anything, i just bring a cd wallet with me, that i don't have to worry about. Used to be a melt, bringing all your vinyl to parties, and having to look after them and make sure none went missing etc. Dead handy having cdjs these days, if the wallet goes missing, i only need to buy a new wallet, all the tunes are still on my hard drive, so happy days in that respect
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Yeah, that was a pain! I just burn cd's mostly these days, and use cdjs, when they're available. Most of my mates have them anyway, so any parties or anything, i just bring a cd wallet with me, that i don't have to worry about. Used to be a melt, bringing all your vinyl to parties, and having to look after them and make sure none went missing etc. Dead handy having cdjs these days, if the wallet goes missing, i only need to buy a new wallet, all the tunes are still on my hard drive, so happy days in that respect
Yeah, dunno how many times I came back from a session with my record back a bit "lighter" and all in the wrong sleeves. First 20 mins of the imx and I'd be really precious about putting the right records in the right sleeves then after that I would just give up and lash them back in anywhere!!
Still, also ended up with a few stray records in the bag so its swings and roundabouts really!!0 -
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Wicked mix this, Slipmatt & Lime, back to back for Mixmag :cool:
I have the CD there, if anyone wants it ripped 0 -
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Another mix, which is legendary!
https://soundcloud.com/dsci4/1997mp3
Top selection, of the darkest music, known to man 0 -
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ROCKY MANGAN wrote: »
Ha ha nice 1 Joe was just listening to 1 of your mixes ther.
Joe Mangan - AD
Joe what the **** is the name of the second track can't remember for dear life.I tend to like confusing meself and think its Mesqite - Hyper Spectors but it aint.Anyways love the way you slip it in after Mystic Force.But the piano in that track is savage.:D
It's ok Joe i remembered.What bout the 1 after Luxor i have it aswell just can't remember of the top of me head tho,so go on helpm out a pal...:D
Piano break is Am in al :P
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yes please :-)Wicked mix this, Slipmatt & Lime, back to back for Mixmag :cool:
I have the CD there, if anyone wants it ripped0 -
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