Your favourite poem?

--Kaiser--

Just about every W.B. Yeats poem

An Irish Airman Foresees His Death

I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.

And 'The Raven' by Poe

stovelid

The Bronx?

No thonx.

- Ogden Nash

OldGoat

Poem for the lonely by Spike Milligan.

Hello.

OldGoat

Poem for the lonely and the hard of hearing by Spike Milligan.

HELLO!

SEPT 23 1989

For What Died the Sons of Róisín, was it fame
For What Died the Sons of Róisín, was it fame
For what flowed Irelands blood in rivers,
That began when Brian chased the Dane,
And did not cease nor has not ceased,
With the brave sons of ´16,
For what died the sons of Róisín, was it fame
For What Died the Sons of Róisín, was it greed
For What Died the Sons of Róisín, was it greed
Was it greed that drove Wolfe Tone to a paupers death in a cell of cold wet stone?
Will German, French or Dutch inscribe the epitaph of Emmet?
When we have sold enough of Ireland to be but strangers in it.
For What Died the Sons of Róisín, was it greed

To whom do we owe our allegiance today
To whom do we owe our allegiance today
To those brave men who fought and died that Róisín live again with pride?
Her sons at home to work and sing,
Her youth to dance and make her valleys ring,
Or the faceless men who for Mark and Dollar,
Betray her to the highest bidder,
To whom do we owe our allegiance today

For what suffer our patriots today
For what suffer our patriots today
They have a language problem, so they say,
How to write "No Trespass" must grieve their heart full sore,
We got rid of one strange language now we are faced with many, many more,
For what suffer our patriots today

Deus Ex Machina

The Highway Man by Alfred Noyes.

Deedsie

William Ernest Henley.

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

stovelid

SEPT 23 1989 wrote: »

Was it greed that drove Wolfe Tone to a paupers death in a cell of cold wet stone?

Closing his account was one thing but that's just taking the martyrdom a little too far.

SEPT 23 1989

stovelid wrote: »

Closing his account was one thing but that's just taking the martyrdom a little too far.

:pac:

raveni

Out, Out-

The buzz-saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.
And from there those that lifted eyes could count
Five mountain ranges one behind the other
Under the sunset far into Vermont.
And the saw snarled and rattled, snarled and rattled,
As it ran light, or had to bear a load.
And nothing happened: day was all but done.
Call it a day, I wish they might have said
To please the boy by giving him the half hour
That a boy counts so much when saved from work.
His sister stood beside them in her apron
To tell them "Supper." At the word, the saw,
As if to prove saws knew what supper meant,
Leaped out at the boy's hand, or seemed to leap—
He must have given the hand. However it was,
Neither refused the meeting. But the hand!
The boy's first outcry was a rueful laugh,
As he swung toward them holding up the hand
Half in appeal, but half as if to keep
The life from spilling. Then the boy saw all—
Since he was old enough to know, big boy
Doing a man's work, though a child at heart—
He saw all spoiled. "Don't let him cut my hand off—
The doctor, when he comes. Don't let him, sister!"
So. But the hand was gone already.
The doctor put him in the dark of ether.
He lay and puffed his lips out with his breath.
And then—the watcher at his pulse took fright.
No one believed. They listened at his heart.
Little—less—nothing!—and that ended it.
No more to build on there. And they, since they
Were not the one dead, turned to their affairs.

Robert Frost

jaybo1

TS Elliot The love song of Alfred J Prufrock

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question. . .
Oh, do not ask, "What is it?"
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night
Curled once about the house, and fell asleep.

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions
And for a hundred visions and revisions
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, "Do I dare?" and, "Do I dare?"
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
[They will say: "How his hair is growing thin!"]
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
[They will say: "But how his arms and legs are thin!"]
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all;
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
[But in the lamplight, downed with light brown hair!]
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?
. . . . .

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? . . .

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
. . . . .

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep . . . tired . . . or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet–and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"
If one, settling a pillow by her head,
Should say, "That is not what I meant at all.
That is not it, at all."

And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
"That is not it at all,
That is not what I meant, at all."
. . . . .

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old . . . I grow old . . .
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

Mr Benevolent

On Time (John Milton)

FLY envious Time, till thou run out thy race,
Call on the lazy leaden-stepping hours,
Whose speed is but the heavy Plummets pace;
And glut thy self with what thy womb devours,
Which is no more then what is false and vain,
And meerly mortal dross;
So little is our loss,
So little is thy gain.
For when as each thing bad thou hast entomb'd,
And last of all, thy greedy self consum'd,
Then long Eternity shall greet our bliss
With an individual kiss;
And Joy shall overtake us as a flood,
When every thing that is sincerely good
And perfectly divine,
With Truth, and Peace, and Love shall ever shine
About the supreme Throne
Of him, t'whose happy-making sight alone,
When once our heav'nly-guided soul shall clime,
Then all this Earthy grosnes quit, 2
Attir'd with Stars, we shall for ever sit,
Triumphing over Death, and Chance, and thee O Time.

Sky King

Rudyard Kipling - The Secret of the Machines.

It's quite long, so I won't quote it. You can read it here.

http://www.poetryfoundation.org/poem/176158

I like this bit in particular:

But remember, please, the Law by which we live,
We are not built to comprehend a lie,
We can neither love nor pity nor forgive.
If you make a slip in handling us you die

El Siglo

It's a bit of a toss up between Dulce et Decorum Est by Wilfred Owen and An Irish Airman Forsees his Death by W.B. Yeats, I think the former is pretty powerful stuff.

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

triseke

I remember that one from my junior certain, Jesus, it seems like a life time ago!

Witchie

My favourite:

Love's Philosophy
by Percy Bysshe Shelley

---

The fountains mingle with the river,
And the rivers with the ocean;
The winds of heaven mix forever,
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one another's being mingle;--
Why not I with thine?
See! the mountains kiss high heaven,
And the waves clasp one another;
No sister flower would be forgiven,
If it disdained it's brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea;--
What are all these kissings worth,
If thou kiss not me?

---

DominoDub

Still speaks today given the recent history of the Middle East etc.


Percy Bysshe Shelley
"Ozymandias"

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desart. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed:
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away

emily dickinson

Hope is the thing with feathers
That perches in the soul,
And sings the tune--without the words,
And never stops at all,

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.


Also love The Raven by Poe but it's a bit long for here

Logical Fallacy

Probably "What The Thunder Said", section five of The Waste Land by T.S Eliot....mainly for the below.

"After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience "

farmchoice

some great great poems on here very hard to pick one favourite, but at the moment my ****ty west of ireland town has me loving john cooper clarke's ''chickentown''

he ****ing cops are ****ing keen to ****ing keep it ****ing clean
the ****ing chief's a ****ing swine
who ****ing draws a ****ing line
at ****ing fun and ****ing games
the ****ing kids he ****ing blames
are nowehere to be ****ing found
anywhere in chicken town


the ****ing scene is ****ing sad
the ****ing news is ****ing bad
the ****ing weed is ****ing turf
the ****ing speed is ****ing surf
the ****ing folks are ****ing daft
don't make me ****ing laugh
it ****ing hurts to look around
everywhere in chicken town


the ****ing train is ****ing late
you ****ing wait you ****ing wait
you're ****ing lost and ****ing found
stuck in ****ing chicken town


the ****ing view is ****ing vile
for ****ing miles and ****ing miles
the ****ing babies ****ing cry
the ****ing flowers ****ing die
the ****ing food is ****ing muck
the ****ing drains are ****ing ****ed
the colour scheme is ****ing brown
everywhere in chicken town


the ****ing pubs are ****ing dull
the ****ing clubs are ****ing full
of ****ing girls and ****ing guys
with ****ing murder in their eyes
a ****ing bloke is ****ing stabbed
waiting for a ****ing cab
you ****ing stay at ****ing home
the ****ing neighbors ****ing moan
keep the ****ing racket down
this is ****ing chicken town


the ****ing train is ****ing late
you ****ing wait you ****ing wait
you're ****ing lost and ****ing found
stuck in ****ing chicken town


the ****ing pies are ****ing old
the ****ing chips are ****ing cold
the ****ing beer is ****ing flat
the ****ing flats have ****ing rats
the ****ing clocks are ****ing wrong
the ****ing days are ****ing long
it ****ing gets you ****ing down
evidently chicken town

i dont know how to get did the astricks the word in question is fcuking

Sky King

Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.

Of tired outstripped five-nine's that dropped behind is the line that I learned

Come gargling from the froth-corrupted lungs,
Bitter as the cud

the line is Obscene as Cancer, Bitter as the cud

LeeHoffmann

Sometimes poems drop in and out of favour. At the moment I like this poem by Yeats (I'm a romantic sap :rolleyes:):

Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

One poem I always love (so probably my favourite) is After Apple Picking by Robert Frost

My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.

cml387

Patrick Kavanagh was a bit of a b*ll*cks,but this is one of my favourites:

I have lived in important places, times
When great events were decided : who owned
That half a rood of rock, a no-man's land
Surrounded by our pitchfork-armed claims.
I heard the Duffys shouting "Damn your soul"
And old McCabe stripped to the waist, seen
Step the plot defying blue cast-steel -
"Here is the march along these iron stones."
That was the year of the Munich bother. Which
Was most important ? I inclined
To lose my faith in Ballyrush and Gortin
Till Homer's ghost came whispering to my mind.
He said : I made the Iliad from such
A local row. Gods make their own importance.

RHJ

This post has been deleted.

silvine

Jack and Jill went up the hill to fetch a pail of water,
I don't know what they did up there but Jill came down with a daughter.


True Story.

castletownman

Michael Longley-Wounds

Here are two pictures from my father’s head—
I have kept them like secrets until now:
First, the Ulster Division at the Somme
Going over the top with ‘**** the Pope!’
‘No Surrender!’: a boy about to die,
Screaming ‘Give ’em one for the Shankill!’
‘Wilder than Gurkhas’ were my father’s words
Of admiration and bewilderment.
Next comes the London-Scottish padre
Resettling kilts with his swagger-stick,
With a stylish backhand and a prayer.
Over a landscape of dead buttocks
My father followed him for fifty years.
At last, a belated casualty,
He said — lead traces flaring till they hurt —
‘I am dying for King and Country, slowly.’
I touched his hand, his thin head I touched.

Now, with military honours of a kind,
With his badges, his medals like rainbows,
His spinning compass, I bury beside him
Three teenage soldiers, bellies full of
Bullets and Irish beer, their flies undone.
A packet of Woodbines I throw in,
A lucifer, the Sacred Heart of Jesus
Paralysed as heavy guns put out
The night-light in a nursery for ever;
Also a bus-conductor’s uniform—
He collapsed beside his carpet-slippers
Without a murmur, shot through the head
By a shivering boy who wandered in
Before they could turn the television down
Or tidy away the supper dishes.
To the children, to a bewildered wife,
I think ‘Sorry Missus’ was what he said.

I always loved Longley's poetry during the Leaving Cert years.

On a side note, in this year's Rose of Tralee the Wexford Rose read out a poem that her father had written some fifty years before to his sister who went off to be a nun. It was one of the most touching poems I ever heard recited.

strobe

Few of mine already said. A couple to add to them...


Percy Bysshe Shelley - Untitled Dialogue

DEATH:
For my dagger is bathed in the blood of the brave,
I come, care-worn tenant of life, from the grave,
Where Innocence sleeps 'neath the peace-giving sod,
And the good cease to tremble at Tyranny's nod;
I offer a calm habitation to thee,--
Say, victim of grief, wilt thou slumber with me?
My mansion is damp, cold silence is there,
But it lulls in oblivion the fiends of despair;
Not a groan of regret, not a sigh, not a breath,
Dares dispute with grim Silence the empire of Death.
I offer a calm habitation to thee,--
Say, victim of grief, wilt thou slumber with me?

MORTAL:
Mine eyelids are heavy; my soul seeks repose,
It longs in thy cells to embosom its woes,
It longs in thy cells to deposit its load,
Where no longer the scorpions of Perfidy goad,--
Where the phantoms of Prejudice vanish away,
And Bigotry's bloodhounds lose scent of their prey.
Yet tell me, dark Death, when thine empire is o'er,
What awaits on Futurity's mist-covered shore?

DEATH:
Cease, cease, wayward Mortal! I dare not unveil
The shadows that float o'er Eternity's vale;
Nought waits for the good but a spirit of Love,
That will hail their blest advent to regions above.
For Love, Mortal, gleams through the gloom of my sway,
And the shades which surround me fly fast at its ray.
Hast thou loved?--Then depart from these regions of hate,
And in slumber with me blunt the arrows of fate.
I offer a calm habitation to thee.--
Say, victim of grief, wilt thou slumber with me?

MORTAL:
Oh! sweet is thy slumber! oh! sweet is the ray
Which after thy night introduces the day;
How concealed, how persuasive, self-interest’s breath,
Though it floats to mine ear from the bosom of Death!
I hoped that I quite was forgotten by all,
Yet a lingering friend might be grieved at my fall,
And duty forbids, though I languish to die,
When departure might heave Virtue’s breast with a sigh.
O Death! O my friend! snatch this form to thy shrine,
And I fear, dear destroyer, I shall not repine.

Bob Dylan - Chimes of Freedom

Far between sundown’s finish an’ midnight’s broken toll
We ducked inside the doorway, thunder crashing
As majestic bells of bolts struck shadows in the sounds
Seeming to be the chimes of freedom flashing
Flashing for the warriors whose strength is not to fight
Flashing for the refugees on the unarmed road of flight
An’ for each an’ ev’ry underdog soldier in the night
An’ we gazed upon the chimes of freedom flashing

In the city’s melted furnace, unexpectedly we watched
With faces hidden while the walls were tightening
As the echo of the wedding bells before the blowin’ rain
Dissolved into the bells of the lightning
Tolling for the rebel, tolling for the rake
Tolling for the luckless, the abandoned an’ forsaked
Tolling for the outcast, burnin’ constantly at stake
An’ we gazed upon the chimes of freedom flashing

Through the mad mystic hammering of the wild ripping hail
The sky cracked its poems in naked wonder
That the clinging of the church bells blew far into the breeze
Leaving only bells of lightning and its thunder
Striking for the gentle, striking for the kind
Striking for the guardians and protectors of the mind
An’ the unpawned painter behind beyond his rightful time
An’ we gazed upon the chimes of freedom flashing

Through the wild cathedral evening the rain unraveled tales
For the disrobed faceless forms of no position
Tolling for the tongues with no place to bring their thoughts
All down in taken-for-granted situations
Tolling for the deaf an’ blind, tolling for the mute
Tolling for the mistreated, mateless mother, the mistitled prostitute
For the misdemeanor outlaw, chased an’ cheated by pursuit
An’ we gazed upon the chimes of freedom flashing

Even though a cloud’s white curtain in a far-off corner flashed
An’ the hypnotic splattered mist was slowly lifting
Electric light still struck like arrows, fired but for the ones
Condemned to drift or else be kept from drifting
Tolling for the searching ones, on their speechless, seeking trail
For the lonesome-hearted lovers with too personal a tale
An’ for each unharmful, gentle soul misplaced inside a jail
An’ we gazed upon the chimes of freedom flashing

Starry-eyed an’ laughing as I recall when we were caught
Trapped by no track of hours for they hanged suspended
As we listened one last time an’ we watched with one last look
Spellbound an’ swallowed ’til the tolling ended
Tolling for the aching ones whose wounds cannot be nursed
For the countless confused, accused, misused, strung-out ones an’ worse
An’ for every hung-up person in the whole wide universe
An’ we gazed upon the chimes of freedom flashing.

lil'bug

Little Pippa By Spike Milligan

Pip Pip Pippity Pip.
Slid on the lino.
Slippety Slip.
Fell downstairs.
Trippity Trip.
Tore her knickers.
Rippety Rip.
Started to cry
Drippity drip
Poor Little Pippa Pippity Pip

Jess16

Sometimes things said simply are most powerful. Philip Larkin -The Mower

The Mower

The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably. Burial was no help:

Next morning I got up and it did not.
The first day after a death, the new absence
Is always the same; we should be careful

Of each other, we should be kind
While there is still time.

elefant

He Wishes for the Cloths of Heaven, by W.B Yeats
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.




I also really like the simple, yet beautiful

An Epilogue, by John Masefield
I have seen flowers come in stony places
And kind things done by men with ugly faces
And the gold cup won by the worst horse at the races,
So I trust too.

This

https://www.youtube.com/watch?v=va1t6a0zCkQ

flutterflye

I'd ride you when you're sitting,
I'd ride you when you're lying,
And if you were a bird,
I'd ride you when you're flying,
And when you're dead and all forgotten,
I'll dig you up and ride you rotten.

Seriously though, I don't like any poems.
I just don't 'get' them.

elefant

flutterflye wrote: »

I'd ride you when you're sitting,
I'd ride you when you're lying,
And if you were a bird,
I'd ride you when you're flying,
And when you're dead and all forgotten,
I'll dig you up and ride you rotten.

Seriously though, I don't like any poems.
I just don't 'get' them.

How can you not 'get' any poem?

flutterflye

elefant wrote: »

How can you not 'get' any poem?

My ADD I guess? Don't know, just never got any of them, ever.

mariano rivera

Good to see people still like/ read poetry. Some of the favorites that AHers are picking are quiet OLD and HEAVY.

Whats with all the Death & Old Poets ?

My two favorites poets are Simon Armitage from Yorkshire and Ted Kooser form Nebraska

(I have "Zoom" framed on my wall because of its AWESOMENESS)







Zoom!
BY SIMON ARMITAGE
It begins as a house, an end terrace
in this case
but it will not stop there. Soon it is
an avenue
which cambers arrogantly past the Mechanics' Institute,
turns left
at the main road without even looking
and quickly it is
a town with all four major clearing banks,
a daily paper
and a football team pushing for promotion.

On it goes, oblivious of the Planning Acts,
the green belts,
and before we know it it is out of our hands:
city, nation,
hemisphere, universe, hammering out in all directions
until suddenly,
mercifully, it is drawn aside through the eye
of a black hole
and bulleted into a neighbouring galaxy, emerging
smaller and smoother
than a billiard ball but weighing more than Saturn.

People stop me in the street, badger me
in the check-out queue
and ask "What is this, this that is so small
and so very smooth
but whose mass is greater than the ringed planet?"
It's just words
I assure them. But they will not have it.

---

'It ain't what you do, it's what it does to you.'

By Simon Armitage

I have not bummed across America
with only a dollar to spare, one pair
of busted Levi's and a bowie knife.
I have lived with thieves in Manchester.

I have not padded through the Taj Mahal,
barefoot, listening to the space between
each footfall, picking up and putting down
its print against the marble floor. But I

skimmed flat stones across Black Moss on a day
so still I could hear each set of ripples
as they crossed. I felt each stone's inertia
spend itself against the water; then sink.

I have not toyed with a parachute cord
while perched on the lip of a light aircraft;
but I held the wobbly head of a boy
at the day centre, and stroked his fat hands.

And I guess that the lightness in the throat
and the tiny cascading sensation
somewhere inside us are both part of that
sense of something else. That feeling, I mean.

---

Skater
By Ted Kooser

She was all in black but for a yellow pony tail
that trailed from her cap, and bright blue gloves
that she held out wide, the feathery fingers spread,
as surely she stepped, click-clack, onto the frozen
top of the world. And there, with a clatter of blades,
she began to braid a loose path that broadened
into a meadow of curls. Across the ice she swooped
and then turned back and, halfway, bent her legs
and leapt into the air the way a crane leaps, blue gloves
lifting her lightly, and turned a snappy half-turn
there in the wind before coming down, arms wide,
skating backward right out of that moment, smiling back
at the woman she'd been just an instant before.

---

Selecting a Reader

Ted Kooser

First, I would have her be beautiful,
and walking carefully up on my poetry
at the loneliest moment of an afternoon,
her hair still damp at the neck
from washing it. She should be wearing
a raincoat, an old one, dirty
from not having money enough for the cleaners.
She will take out her glasses, and there
in the bookstore, she will thumb
over my poems, then put the book back
up on its shelf. She will say to herself,
"For that kind of money, I can get
my raincoat cleaned." And she will.

Lady Chatterton

The Road Not Taken

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference.

Robert Frost

Latchy

Oh the Guinness was spilled on the bar room floor and the pub was closed for the night .
Then out of a corner crept a little grey mouse in the shadow of the pale moon light .

He licked up the Guinness from the bar room floor and back on his haunches he sat and all night long you could hear him roar'' Bring On The Goddam Cat '' .

robman60

1st. Mid-Term Break by Seamus Heaney

Joint 2nd: Dulce et Decorum Est and Base details. Both show war in a much truer light.

Courageous Rabbit

F*ck Her Gently (it's kind of a poem..if there are no instruments!).

Lady Chatterton

Love Sonnet 18

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.

William Shakespeare

podgemonster

Great Thread

One that stood out for me was a really simple american poem

BUT YOU DIDN'T - by Anom

Remember the day I borrowed your brand
new car and dented it?
I thought you'd kill me, but you didn't.

And remember the time I dragged you to the beach,
and you said it would rain, and it did?
I thought you'd say, "I told you so." But you didn't.

Do you remember the time I flirted with all
the guys to make you jealous, and you were?
I thought you'd leave, but you didn't.

Do you remember the time I spilled strawberry pie
all over your car rug?
I thought you'd hit me, but you didn't.

And remember the time I forgot to tell you the dance
was formal and you showed up in jeans?
I thought you'd drop me, but you didn't.

Yes, there were lots of things you didn't do.
But you put up with me, and loved me, and protected me.

There were lots of things I wanted to make up to you
when you returned from Vietnam.

But you didn't.

cml387

Someone asked for a more moderm poet.Here's Stevie Smith:

[FONT=Arial, Helvetica] Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning. [/FONT]
[FONT=Arial, Helvetica] Poor chap, he always loved larking
And now he's dead
It must have been too cold for him his heart gave way,
They said. [/FONT]
[FONT=Arial, Helvetica] Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning. [/FONT]

Captain Graphite

Elm by Sylvia Plath. Dark, unsettling, chilling and very atmospheric.

I know the bottom, she says. I know it with my great tap root;
It is what you fear.
I do not fear it: I have been there.

Is it the sea you hear in me,
Its dissatisfactions?
Or the voice of nothing, that was you madness?

Love is a shadow.
How you lie and cry after it.
Listen: these are its hooves: it has gone off, like a horse.

All night I shall gallup thus, impetuously,
Till your head is a stone, your pillow a little turf,
Echoing, echoing.

Or shall I bring you the sound of poisons?
This is rain now, the big hush.
And this is the fruit of it: tin white, like arsenic.

I have suffered the atrocity of sunsets.
Scorched to the root
My red filaments burn and stand,a hand of wires.

Now I break up in pieces that fly about like clubs.
A wind of such violence
Will tolerate no bystanding: I must shriek.

The moon, also, is merciless: she would drag me
Cruelly, being barren.
Her radience scathes me. Or perhaps I have caught her.

I let her go. I let her go
Diminshed and flat, as after radical surgery.
How your bad dreams possess and endow me.

I am inhabited by a cry.
Nightly it flaps out
Looking, with its hooks, for something to love.

I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.

Clouds pass and disperse.
Are those the faces of love, those pale irretrevables?
Is it for such I agitate my heart?

I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches?--

Its snaky acids kiss.
It petrifies the will. These are the isolate, slow faults
That kill, that kill, that kill.

TS Eliot's Love Song of J. Alfred Prufrock is also magnificent.

On the flip side I can't stand Yeats.

cml387

Actually no-one put up the Yeats poem that was mentioned a few times,the Second Coming:


Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

laoch na mona

epic by kavanagh

Anotherducky

I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
And I waterd it in fears
Night & morning with my tears;
And I sunned it with smiles,
And with soft deceitful wiles.
And it grew both day and night,
Till it bore an apple bright.
And my foe beheld it shine,
And he knew that it was mine,
And into my garden stole,
When the night had veiled the pole;
In the morning glad I see
My foe outstretchd beneath the tree.

William Blake

minikin

Mirror in February
Thomas Kinsella
Ah... Soundings!

The day dawns, with scent of must and rain,
Of opened soil, dark trees, dry bedroom air.
Under the fading lamp, half dressed -- my brain
Idling on some compulsive fantasy --
I towel my shaven jaw and stop, and stare,
Riveted by a dark exhausted eye,
A dry downturning mouth.
It seems again that it is time to learn,
In this untiring, crumbling place of growth
To which, for the time being, I return.
Now plainly in the mirror of my soul
I read that I have looked my last on youth
And little more; for they are not made whole
That reach the age of Christ.

Below my window the wakening trees,
Hacked clean for better bearing, stand defaced
Suffering their brute necessities;
And how should the flesh not quail, that span for span
Is mutilated more? In slow distaste
I fold my towel with what grace I can,
Not young, and not renewable, but man.

mariaalice

Late Fragments by Raymond Caver....I had it in on the front page of the order of services at my wedding.

I love poetry and have lots of favourites.

Amston

A Cradle Song

The angels are stooping
Above your bed;
They weary of trooping
With the whimpering dead.
God's laughing in Heaven
To see you so good;
The Sailing Seven
Are gay with his mood.
I sigh that kiss you,
For I must own
That I shall miss you
When you have grown.

- William Butler Yeats.


A Christmas Childhood in Ireland

My father played the melodion
Outside at our gate;
There were stars in the morning east;
And they danced to his music.
Across the wild bogs his melodion called
To Lennons and Callans.
As I pulled on my trousers in a hurry
I knew some strange thing had happened.
Outside in the cow-house my mother
Made the music of milking;
The light of her stable-lamp was a star
And the frost of Bethlehem made it twinkle.
A water-hen screeched in the bog,
Mass-going feet
Crunched the wafer-ice on the pot-holes,
Somebody wistfully twisted the bellows wheel.
My child poet picked out the letters
On the grey stone,
In silver the wonder of a Christmas townland,
The winking glitter of a frosty dawn.
Cassiopeia was over
Cassidy's hanging hill,
I looked and three whin bushes rode across
The horizon - the Three Wise Kings.
An old man passing said:
"Can't he make it talk" -
The melodion, I hid in the doorway
And tightened the belt of my box-pleated coat.
I nicked six nicks on the door-post
With my penknife's big blade -
There was a little one for cutting tobacco.
And I was six Christmases of age.
My father played the melodion,
My mother milked the cows,
And I had a prayer like a white rose pinned
On the Virgin Mary's blouse.

- Patrick Kavanagh

Lady Chatterton

"I Wandered Lonely as a Cloud"


I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed---and gazed---but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.


William Wordsworth