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Crisis in Music: Where has Irish folk gone?

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  • 05-09-2012 9:43pm
    #1
    Closed Accounts Posts: 11,299 ✭✭✭✭


    Tonight I was driving home and "As I leave behind Neidin" was on the radio, which with its references to dancehall waltzes and rhododendrons, is probably more relevant to a bygone time (never mind the fact that it was written in the 1980s).

    In fact, up until the 1980s and perhaps early 1990s, with bands like the Dubliners & The Clancys & Sharon Shannon being very prominent in narrating our society's stories and folklore, Irish folk music had a strong contemporary relevance, even to young generations. It has been so for centuries, perhaps.

    Today, in the midst of one of the biggest sovereign and economic crises since the foundations of the state, it seems there is no real enthusiasm for nor activity within the Irish folk music scene. Many Irish musicians just don't seem to sing about reality anymore. I'd just wonder why AHers might think that is the case. This is despite a massive folk revival on a more international scale, with plenty of contemporary folk artists emerging.

    Note: I'm not necessarily nor specifically talking about rebel music here, but folk music, which is not something that has to be belligerent nor militant, as much as reflective or contemplative.


Comments

  • Registered Users Posts: 3,854 ✭✭✭Sinfonia


    Damien Dempsey seems to fit the description..


  • Closed Accounts Posts: 2,635 ✭✭✭eth0


    Tis still there. Just stop listening to American/British tripe


  • Registered Users Posts: 1,468 ✭✭✭omerin


    how da folk do I know?


  • Closed Accounts Posts: 12,456 ✭✭✭✭Mr Benevolent


    Diddly dee must die. It's shite.


  • Closed Accounts Posts: 11,299 ✭✭✭✭later12


    eth0 wrote: »
    Tis still there. Just stop listening to American/British tripe
    Perhaps someone is engaging this topic in a musical sense, but I don't know if anyone is doing it particularly well ; I'm not sure if that's a reflection on 'them' or 'us' of course.

    The greatest musical & artistic attention I've seen given to the economic and social crisis has been Funny Friday on Liveline.

    You know it;s bad when Joe is providing the main outlet to artistic expression.


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  • Closed Accounts Posts: 7,293 ✭✭✭1ZRed


    All the better they go and never come back. Maybe it's Ireland finally moving into the 21st century?


  • Registered Users Posts: 6,116 ✭✭✭starviewadams


    Luka Bloom's latest album has a good few relevant songs about modern day Ireland,well worth a listen.


  • Closed Accounts Posts: 12,456 ✭✭✭✭Mr Benevolent


    Luka Bloom's latest album has a good few relevant songs about modern day Ireland,well worth a listen.

    'Diddly dee fiscal crisis, diddly eye HIQA'?


  • Closed Accounts Posts: 1,281 ✭✭✭donegal_road


    couldnt agree more. live folk is hard to find at the minute, you will find plenty of trad, but ballad singers are becoming scarce. I stumbled across this clip a few months ago. Paul Brady singing the Shamrock Shore when he was 31 back in 1978 in a hotel in Longford. You still get sessions like this up our way from time to time, in fact I was at a great one in the Spanish Arch hotel in Galway a few months ago. There were maybe 15 local women sat in a circle at the end of the night and each of them sang a tune.
    The 70's was an exciting time for Irish folk with the emergence of Planxty, Clanad, Brady, the Bothy Band amongst others. Have a listen to the lyric in this clip and see how applicable they are to today's situation, even though the original lyrics are 200 years old (sorry for going off topic). btw, Damien Dempsey is as close as it gets for me too.. although I did hear some Duke Special lately and he certainly does have some folk influences in his arrangements



  • Closed Accounts Posts: 1,242 ✭✭✭iverjohnston


    I think the biggest problem with Irish music is the "country" scene. Overweight boyos apeing American country singers, but without the talant or originality. For an example of the stuff to avoid, get "The Farmers Journal "on a thursday and read the woefull rubbish in the music section! They think that if you live and work in the country, you are only interested in this sort of stuff.:confused:
    For some better choice folk/country music you could try "Bob Harris country" on BBC radio 4 on a Thursday evening, he often trows in a bit of Richard Thompson and Elizabeth Cook for good measure. M in Cavan


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  • Closed Accounts Posts: 4,372 ✭✭✭im invisible




  • Closed Accounts Posts: 5,455 ✭✭✭Where To




  • Closed Accounts Posts: 12,456 ✭✭✭✭Mr Benevolent


    'Marrying the Sea' by Declan O'Rourke is pretty good.


  • Registered Users Posts: 6,116 ✭✭✭starviewadams




  • Registered Users Posts: 3,739 ✭✭✭johnmcdnl


    Alive and well at the fleadh in Cavan a fortnight ago from what I seen


  • Registered Users Posts: 7,171 ✭✭✭af_thefragile


    More important question is what happened to Prog Rock?!


  • Registered Users Posts: 10,024 ✭✭✭✭cena


    Wo cares about the Irish folk music


  • Registered Users Posts: 10,024 ✭✭✭✭cena


    Who cares about the Irish folk music?

    I for one could care less about the irish folk music. It is the just the same thing over and over


  • Registered Users Posts: 24,073 ✭✭✭✭ejmaztec


    I took my American brother-in-law into a traditional music pub here, and at the end of the evening he wondered how people didn't get bored listening to the same tune for two hours.:(


  • Closed Accounts Posts: 5,489 ✭✭✭Yamanoto


    cena wrote: »
    Who cares about the Irish folk music?

    I for one could careless

    So wait.....?


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  • Registered Users Posts: 10,572 ✭✭✭✭brummytom


    Sinfonia wrote: »
    Damien Dempsey seems to fit the description..

    Yeah, that's who came to mind straight away for me too. 'I've No Alibi' is about the media's obsession with fame and 'celebrity', great song.
    Confab wrote: »
    Diddly dee must die. It's shite.

    Some artists might overlap between the two, but folk and trad (diddly dee) aren't the same thing.


  • Registered Users Posts: 12,495 ✭✭✭✭mariaalice


    Part of the problem is that traditional Irish music has become very precious and pure and has decided it dose not want to be contaminated by mer folk singers, where as in the late 1970th when I started going to see folk band there was much more of a mix of the two.


  • Closed Accounts Posts: 11,299 ✭✭✭✭later12


    Confab wrote: »
    Diddly dee must die. It's shite.
    Diddly dee music; you call Jimmy McCarthy diddle dee, and (granted he's not Irish, but he's folk) maybe Johnny Flynn, too:confused:
    johnmcdnl wrote: »
    Alive and well at the fleadh in Cavan a fortnight ago from what I seen
    Quite true I suspect, but I'm not really talking about centuries old jigs and reels. That stuff, along with rebel music and Dubliners/ Clancys classics will always have an audience.

    But these pieces were written in times of great turmoil; my question is where's the artistic output for our turmoil.

    Come back Paddy Reilly to Ballyjamesduff.
    Or this time, did Paddy Reilly just take a gap year to Byron Bay:eek:


  • Registered Users Posts: 192 ✭✭Alactric


    I think the biggest problem with Irish music is the "country" scene. Overweight boyos apeing American country singers, but without the talant or originality. For an example of the stuff to avoid, get "The Farmers Journal "on a thursday and read the woefull rubbish in the music section! They think that if you live and work in the country, you are only interested in this sort of stuff.:confused:
    For some better choice folk/country music you could try "Bob Harris country" on BBC radio 4 on a Thursday evening, he often trows in a bit of Richard Thompson and Elizabeth Cook for good measure. M in Cavan

    This is your answer right here.


  • Closed Accounts Posts: 7,293 ✭✭✭1ZRed


    brummytom wrote: »
    Some artists might overlap between the two, but folk and trad (diddly dee) aren't the same thing.

    I think that's a fair point. I often just hear "folk" and just throw them together as one in my head. I think it's because I hate trad so much I don't bother differentiating them.


  • Registered Users Posts: 37,301 ✭✭✭✭the_syco


    It's still around. It's just that there's not as much demand for it on the radio, so you don't hear it on the radio. If there's no demand for it in the local, the local won't pay people money to play there.

    Thus you'll have to look in the pubs that attract those who like trad to hear trad.

    As for stories, listen to some Irish metal, and you'll hear some of the trad stories and the tin whistle :cool:


  • Registered Users Posts: 44,080 ✭✭✭✭Micky Dolenz


    Have you tried under the couch?


  • Registered Users Posts: 85 ✭✭TAlderson


    Folk has a problem whereby "authenticity" is prized, but "authenticity" really means "sound like you wrote the song 50 years ago." If you wrote a folk song now and talked about mobile phones, people would think it sounds ridiculous, but talk about sending a letter (which no one does nowadays), it's "authentic."

    Folk music (and this goes for American folk/country as well) finds its roots in rural areas at times when those rural areas were much more isolated from the rest of the country, never mind the world. Now, not only are people gravitating away from rural lifestyles, but even those who live in the middle of nowhere can watch stations from big cities airing sitcoms from Hollywood on televisions made in Korea.

    But people in the folk scene still think in terms of working on farms and dances in barns and getting on a boat for the long journey across the ocean. I guess it's more romantic to think of Paddy boarding his boat and heading off to Americay because the potatoes are all blighted than Sean going to the Dublin airport to board a plane to San Francisco because his programming skills are more in demand in Silicon Valley.

    -Tyler


  • Registered Users Posts: 1,281 ✭✭✭Gmol


    It was sold off under the imf bailout


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  • Registered Users Posts: 4,431 ✭✭✭Sky King


    I heart this SOOOO much:



    Excellent craft and skill.


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